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NOBODY'S MAGIC

A thoughtful examination of a subject rarely addressed in contemporary literature.

Poet Birdsong’s fiction debut: three novellas about African American women grappling with their families’ and communities’ attitudes toward their albinism.

They come from very different backgrounds in Shreveport, Louisiana. Suzette is the spoiled daughter of a wealthy car dealer, still living at home at age 20 because her controlling father doesn’t want her to go to college or get a job. Six years out of college, Maple is still drifting among dead-end jobs and taking handouts from her mother, a good-time gal whose income currently comes from a drug-dealing boyfriend but whose past includes stripping and porn. Agnes fled poverty in Shreveport for Fisk University, graduate school, and a lectureship at Vanderbilt, but she’s now 34, unemployed, and broke, grading high school essays in Utah for a pittance. Nonetheless, the three novellas show each woman shaped by her skin and people’s reactions to it as central facts in their development. Suzette’s story, Drive, is an overlong coming-of-age tale with a fairly predictable denouement redeemed by a poignant depiction of a sheltered girl: “Everything that’s happenin around me is about me. But don’t nobody wanna tell me wha’s goin on.” Maple’s odyssey in Bottled Water is a more interesting saga of devastating loss and grief overcome with the help of a man who has his own experience of bereavement to deal with. Maple’s Momi is a fabulously vital character, inappropriately open with her daughter about sex and drugs but lovingly accepting of the white skin that Maple—like Suzette—thinks makes her undesirable. We see in Mind the Prompt that Agnes’ experiences of being mocked for her skin color in high school by her social-climbing sister have scarred her emotionally to the extent that she can’t keep a job and lives with an abusive man, but even this keeningly sad tale offers hope in a denouement that shows Agnes, like Suzette and Maple, tentatively embracing a new beginning.

A thoughtful examination of a subject rarely addressed in contemporary literature.

Pub Date: Feb. 8, 2022

ISBN: 978-1-5387-2139-1

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: Nov. 16, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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