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QUARTERLIFE

A promising first outing by a skilled writer.

An ambitious, unusual, formally risky novel that attempts nothing less than a full-scale portrait of India circa 2014.

The book begins with three principals: Naren, a hard-charging management consultant who, in the opening scene, decides to leave the U.S. and return home to an India undergoing both rapid development and a surge of Hindu nationalism; Amanda, Naren’s white American college friend, who (in part to extricate herself from a romance that’s soured) accepts a teaching fellowship in a Muslim-majority slum; and Naren’s younger brother, Rohit, a filmmaker with whom Amanda gets involved. About a quarter of the way through, it opens out into something odder and more ambitious, incorporating many more characters, a more panoptic view of India on the cusp of becoming a world power. The book’s nearest American analogue is probably Tom Wolfe and his “social x-ray” novels: sprawling, multivocal, rococo in style, bristling at every seam with big ideas. The good news is that Rege is a talented young writer, finely attuned to the psychology of her characters. The less good news: Despite some compelling characterization (for example, Kedar, Rohit and Naren’s cousin, a reckless journalistic firebrand, and Omkar, an angry young nationalist filmmaker), the novel can feel chaotic—there are so many people that no one feels quite fully inhabited, and the book flits quickly on to the next. (Wolfe called his method “Stalking the Billion-Footed Beast,” and here Rege ups the number of feet to three billion or so.) The characters can sometimes feel, too, like types or mouthpieces, a suspicion that’s encouraged by Rege’s decision, at the end, to introduce the first-person voice of the novelist. Overstuffed, yes, occasionally bewildering, yes—but a lot of that reflects, persuasively, the author’s sense of India’s exciting, fractious, sometimes dangerous profusion of factions and energies.

A promising first outing by a skilled writer.

Pub Date: Sept. 24, 2024

ISBN: 9781324095491

Page Count: 416

Publisher: Liveright/Norton

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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