The subtitle for the book is “A Very Confused Christmas,” and many young readers will indeed be confused.
A dozen humorous poems are inspired by Christmas-related words or phrases as a child might mishear them.
The cover and related title poem, “Missile Toe,” focus on a soccer player by that name. He is a boy with brown skin who always leaps too high and misses scoring. This time, he still leaps but gently taps the ball in as the other players “hugged and kissed beneath Missile Toe.” Most of the other poems focus on traditional Christmas songs, with some sort of humorous twist on the title or a line from the song as the poem’s theme, as in the poems “O Holey Knight” and “The Wee Kings of Orientar.” The poem “Deck the Halls” riffs on a phrase that many a child has found mysterious. There is no title page or author’s note to identify the original songs. Most of the poems require a level of background knowledge that is beyond the capacity of the intended audience, and the humor would need to be explained to children. A few poems stand on their own, such as “Johnny Oats Ate Nicholas,” about a puppy named Johnny Oats who eats Nicholas the guppy (though it may take saying the title a few times to understand the sonic confusion), and “I’ll Be a Gnome for Christmas.” Amusing, action-filled illustrations include children of different ethnicities. Santa is white; the Wise Men have brown skin.
The subtitle for the book is “A Very Confused Christmas,” and many young readers will indeed be confused. (Picture book/poetry. 5-9)Pub Date: Sept. 1, 2017
ISBN: 978-1-58536-371-1
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
A superlative union of verse and visual art.
The Pulitzer Prize–winning poet’s tribute to the relationship between goldfinches and thistles finds new life in picture-book form.
In languorously unfolding phrases, Oliver, who died in 2019, notes that the birds wait all summer for the thistle flowers to disseminate their seeds. The finches then use the fluffy, silky pappus—which, attached to the seeds, helps them disperse in the wind—to line their nests, while the seeds themselves feed both parents and young. Sweet ingeniously nestles hand-lettered finch facts into spreads that teem with vibrant color charts keyed to the poem’s imagery. She depicts the poet as a young woman, wandering fields and woods, notebook at hand and trailed by a dog, as a diverse group of birdwatchers look on. Using vintage papers, old maps, and photographed objects including a nest, the artist subdivides her layered compositions into multiple rectangles, inviting close observation and delighted discovery, while reserving plenty of airy space for Oliver’s poem to shine. Sweet’s palette, rich in pinks and yellows, derives from the bright plumage of male goldfinches and the brilliance of flowering thistles, “each bud / a settlement of riches— / a coin of reddish fire.” Oliver concludes: “Is it necessary to say any more? / Have you heard them singing in the wind…? // Have you ever been so happy in your life?”
A superlative union of verse and visual art. (text of poem, Oliver’s handwritten bird list, illustrator’s note, quote from Oliver, sources) (Picture book/poetry. 5-9)Pub Date: March 3, 2026
ISBN: 9780593692417
Page Count: 40
Publisher: Viking
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
Thoughtful and joyful.
A child of Vietnamese descent fantasizes about the perfect outfit for Tết.
One night, Mai dreams about being a big “STAAAAAAR” and fielding questions on the red carpet. Mai’s literal dream dress is a sparkly silver ballroom gown with a sweetheart cut. After waking up, the child is eager to tell Ba all about it, but first it’s time to get ready. It’s the first day of Tết, or Lunar New Year, and the family plans to celebrate at Mai’s grandmother’s house. Though Mai loves visiting Bà Nội, the child balks at donning the áo dài, a Vietnamese outfit consisting of a tunic worn over trousers. “Stars wear dresses and gowns,” Mai tells Ba. But Ba shows Mai the family photo album, explaining that Bà Nội had her own sewing school in Vietnam and that her students lovingly dubbed her the “Queen of Áo Dài.” To keep their traditions alive when the family emigrated, Bà Nội continued to make áo dài for her loved ones, and the children learned to sew them as an expression of love. Finally, with a newfound appreciation for the garment, Mai greets Bà Nội with a hug, clad in a customized áo dài made by Ba. Told entirely through naturally expressed and well-paced dialogue and accompanied by vividly textured illustrations, this is a loving tale of a family finding a creative way to reshape a beloved tradition.
Thoughtful and joyful. (glossary, “let’s design our own áo dài” activity) (Picture book. 5-8)Pub Date: Jan. 7, 2025
ISBN: 9781665917346
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
