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GOLDFINCHES

A superlative union of verse and visual art.

The Pulitzer Prize–winning poet’s tribute to the relationship between goldfinches and thistles finds new life in picture-book form.

In languorously unfolding phrases, Oliver, who died in 2019, notes that the birds wait all summer for the thistle flowers to disseminate their seeds. The finches then use the fluffy, silky pappus—which, attached to the seeds, helps them disperse in the wind—to line their nests, while the seeds themselves feed both parents and young. Sweet ingeniously nestles hand-lettered finch facts into spreads that teem with vibrant color charts keyed to the poem’s imagery. She depicts the poet as a young woman, wandering fields and woods, notebook at hand and trailed by a dog, as a diverse group of birdwatchers look on. Using vintage papers, old maps, and photographed objects including a nest, the artist subdivides her layered compositions into multiple rectangles, inviting close observation and delighted discovery, while reserving plenty of airy space for Oliver’s poem to shine. Sweet’s palette, rich in pinks and yellows, derives from the bright plumage of male goldfinches and the brilliance of flowering thistles, “each bud / a settlement of riches— / a coin of reddish fire.” Oliver concludes: “Is it necessary to say any more? / Have you heard them singing in the wind…? // Have you ever been so happy in your life?”

A superlative union of verse and visual art. (text of poem, Oliver’s handwritten bird list, illustrator’s note, quote from Oliver, sources) (Picture book/poetry. 5-9)

Pub Date: March 3, 2026

ISBN: 9780593692417

Page Count: 40

Publisher: Viking

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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