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WON RACE

BOOK ONE: CHOOSE YOUR WAYS

A successful and compelling space opera full of grit and imagination.

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A big, brash sci-fi epic about the destiny of warring planets and their respective inhabitants.

As the first part of a planned series, the book’s title is a double entendre; there are many planets and races in Laborde’s fictional universe, but they share one cosmic destiny. The first pages hurl the reader into a torrent of myth and prophecy and then drive headlong into a fiery cluster of futuristic aeronautic warfare. The author only briefly touches upon the story’s time and setting for a few passages as readers surge through the tense atmosphere created by a commanding prose style and the author’s precisely martial imagination. Eventually, though, between the intense training sessions of space warriors with names such as Hunter and Prowler and interstellar fleet conflicts between the Pack and the Swarm, the novel’s mythos takes shape amid a barrage of barking admirals and powerful queens. Between two worlds, evocatively named Lycera and Nefera, lies the Void, a mysterious abyss in space that separates the planets and makes travel to each system’s borders costly and protracted. Surrounding the nothingness are the anxieties and myths of the warriors, as many assume that the Void devours all who attempt to transverse it. But when a passage is found through the Void and a group from the Pack are forced to abandon ship on the surface of their target, the war, and perhaps eventual peace, between the worlds takes on a new dimension. It’s an unapologetic space opera and even the habitually italicized dialogue doesn’t distract from the legitimacy and gravity of the novel’s epic events. As with most science-fiction series, the finale is bittersweet, but Laborde answers just enough questions and coaxes out just enough mystery at the conclusion to leave readers wanting more adventure, more revelations and the crowning resolution.

A successful and compelling space opera full of grit and imagination.

Pub Date: March 1, 2011

ISBN: 978-0983448518

Page Count: 282

Publisher: dflBookworks

Review Posted Online: June 3, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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