Fiercely intelligent, discomfortingly honest and never dull.
Now 91, one of England’s notable book editors examines life, old age and approaching death with astonishing candor in 16 essays distinguished by her spare, direct prose.
Athill (Yesterday Morning, 2002, etc.) does not shy away from uncomfortable subjects: the waning of sexual desire, her qualms about the physical act of dying and her atheism, which deprives her of a comforting belief in the hereafter. Although she knows that death cannot be far off, the present is full of quiet satisfactions. The tiny tree fern that she purchases in the opening essay will not provide shade for her backyard garden in her lifetime, but watching it unfurl its fronds becomes an unexpected and genuine pleasure. Athill vividly describes corpses she has seen and deaths she has witnessed, taking some comfort from the knowledge that among her close relatives the end has been relatively swift and peaceful. Having no children to care for her at the end of her life, she notes sadly but calmly that she will likely end her days in an impersonal institution. With no afterlife to look forward to, the present becomes more precious; hers is filled with reading, writing and reviewing books, gardening, drawing, pottering about and, surprisingly, driving her car. After a highway accident in which only the car was damaged, her love of the freedom provided by driving kept her behind the wheel. Erotic desire may have vanished, but Athill remembers it clearly and is quite candid about relationships with past lovers. Kindness and loving friendship are more important than sexual fidelity, she asserts, demonstrating this with brief anecdotes of her affairs. At the time of writing, she has reluctantly but dutifully become caretaker for a man she has lived with for nearly half a century. Their life now, she writes matter-of-factly, is “in about equal parts, both sad and boring.”
Fiercely intelligent, discomfortingly honest and never dull.Pub Date: Jan. 1, 2009
ISBN: 978-0-393-06770-5
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered...
The inspirational and ultimately redemptive story of a teenage girl’s descent into hell, framed as a parable of faith.
The disappearance of 14-year-old Elizabeth Smart in 2002 made national headlines, turning an entire country into a search party; it seemed like something of a miracle when she reappeared, rescued almost by happenstance, nine months later. As the author suggests, it was something of a mystery that her ordeal lasted that long, since there were many times when she was close to being discovered. Her captors, a self-proclaimed religious prophet whose sacraments included alcohol, pornography and promiscuous sex, and his wife and accomplice, jealous of this “second wife” he had taken, weren’t exactly criminal masterminds. In fact, his master plan was for similar kidnappings to give him seven wives in all, though Elizabeth’s abduction was the only successful one. She didn’t write her account for another nine years, at which point she had a more mature perspective on the ordeal, and with what one suspects was considerable assistance from co-author Stewart, who helps frame her story and fill in some gaps. Though the account thankfully spares readers the graphic details, Smart tells of the abuse and degradation she suffered, of the fear for her family’s safety that kept her from escaping and of the faith that fueled her determination to survive. “Anyone who suggests that I became a victim of Stockholm syndrome by developing any feelings of sympathy for my captors simply has no idea what was going on inside my head,” she writes. “I never once—not for a single moment—developed a shred of affection or empathy for either of them….The only thing there ever was was fear.”
Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered rather than how she recovered.Pub Date: Oct. 7, 2013
ISBN: 978-1-250-04015-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Oct. 27, 2013
Kirkus Reviews Issue: Nov. 15, 2013
A witty trip through a unique life in the theater.
Reminiscences by one of the pioneers of American avant-garde theater.
Few artists’ lives have been as colorful as that of Gregory. Born in Paris in 1934 to Russian Jewish parents, he lived a privileged life of “private clubs, private schools, debutante balls” once the family left wartime Europe for New York. They spent summers in a California house Thomas Mann rented to them, where they socialized with celebrities like Errol Flynn, with whom his mother had an affair. He discovered a passion for acting when he attended a New York private school “established to train repressed, polite, withdrawn little WASPs.” Much of this book, co-written by London (An Ideal Theater: Founding Visions for a New American Art, 2013, etc.), is a series of vignettes, some more entertaining than others, about Gregory’s artistic and spiritual journey: stage manager jobs at regional theaters, lessons at Lee Strasberg’s Actors Studio, pilgrimages to ashrams in India, and outrageous flourishes in the plays he directed, such as a production of Max Frisch’s Firebugs that featured an actual fire engine onstage and scenes from Hiroshima projected onto a trampoline—a gig that got him fired. The narrative is filled with anecdotes about such luminaries as fellow director Jerzy Grotowski, who had a profound influence on Gregory’s work, and Gregory Peck, who “slugged” him during an argument during the filming of Tartuffe. The highlight for many readers will likely be details of his long collaboration—“forty-five years and only one fight”—with Wallace Shawn and the making of their art-house hit My Dinner With André. These sections chronicle the duo’s struggles to make the picture, from Gregory’s memorizing hundreds of pages of dialogue for “the longest speaking role in the history of film” to his wearing long johns during the shoot because they couldn’t afford to heat the hotel where the restaurant scenes were staged.
A witty trip through a unique life in the theater.Pub Date: Nov. 17, 2020
ISBN: 978-0-374-29854-8
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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