A brief, rhythmic text combines lullaby with concept book. An African-American baby and parent are shown in the illustrations. “Wrap your arms around me, make a circle, hold me tight. I’ll take you spinning through the air, as daylight turns to night.” The cuddled child is in pajamas, the moon is “like a night-light hanging high,” while the stars and child’s face and features are more examples of the lovingly conveyed main theme. The illustrations, portholes in the center of increasingly darker borders as night descends, show the parent and child with round objects—a goldfish bowl, a round mirror, etc. Engel (The Shelf- Paper Jungle, 1994, etc.) uses watercolors to portray whimsical moonscapes and a starry sky in pleasing and memorable ways. (Picture book. 3-5)
Pub Date: March 1, 1999
ISBN: 0-7614-5040-8
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
Strom debuts with an determinedly exuberant book about a cool young African-American artist, Eloise, whose fondness for bold colors and boldly outlined shapes is happily echoed in the full-bleed acrylic spreads. Mama tells Eloise not to bother Joe when the two talk on the front steps, but it’s hard for Eloise to contain her eagerness to tell her elderly friend about her paintings. Far from bothered, the blind man she calls Rainbow Joe for reasons apparent only at book’s end loves to listen; he approves of her imagination. Rainbow Joe claims to make the colors he sees in his head. “I know how to make them sing,” he says early on. “One of these days I’m going to show you.” Eloise’s knowledge of the color wheel, which she shares incrementally with readers, tells her that vision is needed to mix colors. Even Mama says the only color a blind person can achieve is muddy gray. It isn’t until Joe unpacks his saxophone and plays colors that Mama and Eloise can see them. This exploration of sensory differences and similarities is enlightening and enchanting. (Picture book. 3-5)
Pub Date: Sept. 15, 1999
ISBN: 1-880000-93-8
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
This color-concept book from newcomer Asbury has much going for it. The spare text (``I am Bonnie and this is my cat, Bluebonnet'') and the two-color illustrations (black and blue on a bed of white) are simple, direct, and oddly comforting. Bonnie recounts a day in her life: She introduces readers to her home, cavorts with her pals in a tree fort and swimming pool, sups, watches TV, reads her dad a bedtime story. For the most part, Asbury has chosen the vehicles for his color with a nod toward familiarity—blue water, blueberry pie, blue eyes (small, ghoulish buttons)—and sometimes with real invention: the flicker of the cathode ray, the glow of moonlight. The blue tree, on the other hand, is discordant. Two companion volumes, Rusty's Red Vacation (ISBN 0-8050-4021-8) and Yolanda's Yellow School (- 4023-4), take Asbury's color message aptly into those realms. (Picture book. 2-5)
Pub Date: April 1, 1997
ISBN: 0-8050-4022-6
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
BOOK REVIEW
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