Strom debuts with an determinedly exuberant book about a cool young African-American artist, Eloise, whose fondness for bold colors and boldly outlined shapes is happily echoed in the full-bleed acrylic spreads. Mama tells Eloise not to bother Joe when the two talk on the front steps, but it’s hard for Eloise to contain her eagerness to tell her elderly friend about her paintings. Far from bothered, the blind man she calls Rainbow Joe for reasons apparent only at book’s end loves to listen; he approves of her imagination. Rainbow Joe claims to make the colors he sees in his head. “I know how to make them sing,” he says early on. “One of these days I’m going to show you.” Eloise’s knowledge of the color wheel, which she shares incrementally with readers, tells her that vision is needed to mix colors. Even Mama says the only color a blind person can achieve is muddy gray. It isn’t until Joe unpacks his saxophone and plays colors that Mama and Eloise can see them. This exploration of sensory differences and similarities is enlightening and enchanting. (Picture book. 3-5)
Pub Date: Sept. 15, 1999
ISBN: 1-880000-93-8
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 1999
Categories: CHILDREN'S CONCEPTS
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This color-concept book from newcomer Asbury has much going for it. The spare text (``I am Bonnie and this is my cat, Bluebonnet'') and the two-color illustrations (black and blue on a bed of white) are simple, direct, and oddly comforting. Bonnie recounts a day in her life: She introduces readers to her home, cavorts with her pals in a tree fort and swimming pool, sups, watches TV, reads her dad a bedtime story. For the most part, Asbury has chosen the vehicles for his color with a nod toward familiarity—blue water, blueberry pie, blue eyes (small, ghoulish buttons)—and sometimes with real invention: the flicker of the cathode ray, the glow of moonlight. The blue tree, on the other hand, is discordant. Two companion volumes, Rusty's Red Vacation (ISBN 0-8050-4021-8) and Yolanda's Yellow School (- 4023-4), take Asbury's color message aptly into those realms. (Picture book. 2-5)
Pub Date: April 1, 1997
ISBN: 0-8050-4022-6
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1997
Categories: CHILDREN'S CONCEPTS
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BOOK REVIEW
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: yesterday
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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An ingenious interactive book allows readers to decide for the characters what they love—and what they detest. “Does Tanek like milk? / … / Is Shen going to chew the carrot?” Strung within a die-cut hole, a face of perfect Peanuts roundness is suspended, one side beaming, the other glumly frowning. With each question, readers can reach out and spin the face to answer it accordingly. The book’s audience is at an age when adults constantly seek to con them—“Of course you like eggplant!”—so this opportunity for readers to take the emotional driver’s seat is downright liberating. Children’s names and skin colors allow for a broad ethnic representation in this and the three companion volumes: Teddy or Train? (ISBN: 978-1-84643-241-5), Bath or Bed? (ISBN: 978-1-84643-239-2) and Wind or Rain? (ISBN: 978-1-84643-240-8). (Ages 6-18 mos.)
Pub Date: Aug. 1, 2009
ISBN: 978-1-84643-242-2
Page Count: 10
Publisher: Child's Play
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 1, 2009
Categories: CHILDREN'S CONCEPTS
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BOOK REVIEW
BOOK REVIEW
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