by Diana Ketterman ‧ RELEASE DATE: Nov. 22, 2014
Could be a useful and sympathetic model for others who are integrating writing into therapy.
A personal history of overcoming poverty, neglect, and a parent’s mental illness.
Ketterman’s debut memoir begins with a biblical quote: “But ye are a chosen generation, a royal priesthood, a holy nation, a peculiar people; that ye should shew forth the praises of him who hath called you out of darkness into his marvelous light.” In the first narrative scene, adult Ketterman experiences a religious awakening in the church led by her godfather, Pastor Johnny, who “moved in the gift of prophecy”; she collapses, limp, onto the floor. “Leave her alone,” cautions Pastor Johnny. “God has begun a deep healing within her….Glory, glory, glory!” And so the book’s audience is thus delimited: it’s for people who believe in the healing power of faith. Ketterman takes care to articulate her spiritual experiences as qualitatively different from the religious delusions suffered by her mother, who was ultimately diagnosed with a schizoaffective disorder, and also from the mental impairments of her father, who died of a brain tumor when she was just a teenager. She effectively outlines the difficulties of growing up in such an unwell environment—the social stigma, the poverty, the abuse and neglect, the necessity of acting as parent not only to herself but to her younger brother and sister. But Ketterman, a curriculum designer who was named teacher of the year, writes like the administrator and educator she is, rather than as a novelist. Despite chapter headers that ooze with pathos—“My Mother’s Declaration: Relief, Guilt, Shame, and Regret”—she doesn’t dig deeply into her or anyone else’s emotions. It’s irrefutable that she shouldered burdens and responsibilities no child should have to bear, but that constantly reinforced theme ultimately feels one-dimensional, and the many examples of how she overcame those hardships begin to read more like a resume than a memoir. In the final chapter, Ketterman reveals that this book evolved, in part, out of a 12-step recovery program, that it is her “testimony.” The book’s cathartic, self-focused tone, then, is completely in line with its function as part of the author’s therapy; toward that purpose, it succeeds.
Could be a useful and sympathetic model for others who are integrating writing into therapy.Pub Date: Nov. 22, 2014
ISBN: 978-0990979920
Page Count: 268
Publisher: CreateSpace
Review Posted Online: April 23, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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