Another Paxson rattle and roll of a cluster of ancient tales and myths. Here, in the first of a trilogy, the author spotlights a heroic pair given fame by Wagner's operatic Ring cycle: Sigfrid and Brunahild of the Walkyriun, who—like Tristan and Iseult of The White Raven (1988) and King Leir of The Serpent's Tooth (1991)— step out of the mythic mists with earthbound feet and overheated crania. After an essential Foreword, in which Paxson sketches a fifth- century background of a crumbling Roman empire amid the roiling movement of Germanic tribes, there's an eye-crossing roll call of characters (from the one-eyed god Wodan to Fafner, ``a berserker''), plus a Prologue and a view of the theft of the Gold from the river Rhenus. (The jury is still out on the joys of authentic spelling.) The young girl Brunahild, daughter of a Hun prince, will first see the image of Wodan as, with Gudrun, offspring of a Bergund chieftain, she peers into a sacred well. (Wodan will appear at other times and places.) So it's off to the Walkyriun for Brunahild, to be trained with the other women to defend the old ways and old gods. The storms through which they ride in battle are within—as is Brunahild's quest for her father, surely the One-Eyed. Meanwhile, Sigfrid is being raised by the smith Ragan to avenge a death by slaying the shapechanger Fafner, guardian of the Rhenus gold. He'll run with wolves, learn killing, receive his father's sword, etc. Then at the stony cold ``pyre'' on which Brunahild lies (punished by her peers for sparing an enemy), the two will thunderously lose their respective virginities. There are those who regret the leach of old gold out of old myths, but Paxson substitutes the happy clamor of invention—how can one kill a dragon that isn't there?—with ease and in a wink of Wodan's eye.
Pub Date: April 27, 1993
ISBN: 0-688-10821-0
Page Count: 356
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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