by Diana Maychick ‧ RELEASE DATE: Dec. 1, 1993
Adoring life of Hepburn (``the prettiest, sweetest angel in heaven''), written with help from the actress (1929-93) herself during her final year. Support from Hepburn clearly helped Maychick (Meryl Streep, 1984) straighten out the actress's background: noble Dutch lineage; early years in the Netherlands under the Nazis; Resistance activities; dysfunctional family; first inroads of her eating disorder; misfire as a dancer; first films in Britain, and so on. But Maychick got less help on the real dirt, such as Hepburn's affair with married William Holden (``the love of her life''), whom she dumped when he said he'd had an irreversible vasectomy and couldn't have children. A chubby child with an addiction to chocolate, Hepburn turned off all interest in food during the war years, especially when driven by the Nazis into hiding alone for a month in a cellar, where she created a purposeful distaste for what she couldn't have. She hit it big simultaneously on Broadway— having been discovered by Colette herself to play Gigi—and in Hollywood, winning on the same night an Oscar and a British Film Institute citation as best actress (both for Roman Holiday). A Tony (for Giradoux's Ondine) and a cover story in Time soon followed— but few fans knew that Hepburn had little background in Hollywood films, or that her gamin innocence was the real thing. (Asked how he liked ``working with that dream girl'' in Sabrina, Bogart replied, ``She's okay, if you like to do 36 takes.'') Hepburn's marriage to lesser star Mel Ferrer drained her, as did some miscarriages, though a son finally came. She died of colon cancer right after visiting Somalia for UNICEF. Hepburn lends a gripping spine to Maychick's styleless but serviceable effort. (Sixteen pages of b&w photographs) (First serial to Cosmopolitan)
Pub Date: Dec. 1, 1993
ISBN: 1-55972-195-2
Page Count: 304
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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