Adoring life of Hepburn (``the prettiest, sweetest angel in heaven''), written with help from the actress (1929-93) herself during her final year. Support from Hepburn clearly helped Maychick (Meryl Streep, 1984) straighten out the actress's background: noble Dutch lineage; early years in the Netherlands under the Nazis; Resistance activities; dysfunctional family; first inroads of her eating disorder; misfire as a dancer; first films in Britain, and so on. But Maychick got less help on the real dirt, such as Hepburn's affair with married William Holden (``the love of her life''), whom she dumped when he said he'd had an irreversible vasectomy and couldn't have children. A chubby child with an addiction to chocolate, Hepburn turned off all interest in food during the war years, especially when driven by the Nazis into hiding alone for a month in a cellar, where she created a purposeful distaste for what she couldn't have. She hit it big simultaneously on Broadway— having been discovered by Colette herself to play Gigi—and in Hollywood, winning on the same night an Oscar and a British Film Institute citation as best actress (both for Roman Holiday). A Tony (for Giradoux's Ondine) and a cover story in Time soon followed— but few fans knew that Hepburn had little background in Hollywood films, or that her gamin innocence was the real thing. (Asked how he liked ``working with that dream girl'' in Sabrina, Bogart replied, ``She's okay, if you like to do 36 takes.'') Hepburn's marriage to lesser star Mel Ferrer drained her, as did some miscarriages, though a son finally came. She died of colon cancer right after visiting Somalia for UNICEF. Hepburn lends a gripping spine to Maychick's styleless but serviceable effort. (Sixteen pages of b&w photographs) (First serial to Cosmopolitan)
Pub Date: Dec. 1, 1993
ISBN: 1-55972-195-2
Page Count: 304
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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