A chipper frolic through nature’s colorful palette.
An extended family gathers on the porch of a country home to enjoy cool lemonade and time together on a hot summer day.
Two kids run off to gleefully explore the colorful countryside. However, when a sudden summer storm pops up, they must race home to avoid being caught in the downpour. While many first concept books that teach colors use a repetitive format (simply introducing objects and their corresponding colors without much emphasis on story), this book weaves color into an already engaging plot. The pace of the rhyming text perfectly matches the action; it meanders a bit as the family members arrive and greet one another in the hot sun and then quickens as the storm approaches. Both text and illustrations are celebratory of rural life in general; the mentions of peaches and egrets call to mind the southeastern United States specifically. The full-bleed illustrations are lively and saturated. They neatly depict the menacing darkness that takes over the sky with the arrival of a summer storm without becoming scary. However, the exact relationships of the characters depicted are unclear at times (there are three children, so why do two leave one behind?), which unfortunately confuses the text rather than enhancing it. Still, the book is well-crafted and appealing, and the conscientious attention to diversity in both race and family structure makes it noteworthy.
A chipper frolic through nature’s colorful palette. (Picture book. 3-7)Pub Date: May 22, 2018
ISBN: 978-0-316-37094-3
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
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SEEN & HEARD
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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