Next book

LITANY OF SAINTS

A TRIPTYCH

An engrossing debut that sees both the good and bad sides of Costa Rica.

Three stories offer an intriguing look into the lives of Costa Rican characters—Ticos—as they deal with their roles in their families and society.

In “The Lives of Saints,” the opening story in this debut collection, an immigrant woman living in the United States reflects on her philandering husband’s life after he receives a terminal cancer diagnosis. His poor health causes her to reconsider her unwavering loyalty to him, as well as her fervent belief in her Catholic faith. “Studying the lives of saints was a conspiracy to hold us back from a full life,” she muses, “forcing us to always postpone joy for a tomorrow that might or might not come.” Indeed, her religion is what convinced her to stay with her husband, endlessly forgiving his transgressions. Similarly, in the second story, “Las Tres Marías,” three Boston-born teen sisters who return to Costa Rica with their parents are bound by locals’ perceptions of them as loose, hypersexualized gringas, simply by virtue of their beauty and origins. Pilar, the shyest sister, is so caught up in the assumptions of those around her that she begins to lose faith in herself, eventually finding herself coerced into a toxic sexual relationship with an older man. The third story, “La Familia,” involves Juan Manuel, a naturalized U.S. American Tico, called back to his native country when his brother is arrested for terrorism. He, too, is constrained by duties to his family, even when it puts him in danger. Rojas highlights these restrictions, along with the cultural misunderstandings that occur as a result of them. The intensity of Juan’s experience is downplayed by those looking in from the outside, as a customs agent reveals when Juan returns to the U.S. after the ordeal. “Wish we could all be so lucky: two years in paradise,” the agent says. Rojas weaves expertly between distinct stories and families, creating a network of Costa Rican experience that is equally loving and critical. She shows her readers that no homeland is perfect—not even “paradise.”

An engrossing debut that sees both the good and bad sides of Costa Rica.

Pub Date: April 30, 2024

ISBN: 9781518508073

Page Count: -

Publisher: Arte Público

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 128


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 128


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 80


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

Awards & Accolades

Likes

  • Readers Vote
  • 80


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

Close Quickview