by Diana Wynne Jones ‧ RELEASE DATE: May 1, 1990
Twelve first-rate stories collected by a modern mistress of magic: not only "turnings," but yearnings, leanings, and spurnings—twists of fate, tables turned, and the hidden revealed. Belief in evil attracts evil (Douglas Hill); a goddess seeking a daughter causes another daughter to seek a mother (Tanith Lee); an old story about innocence betrayed leads to a new loss of innocence (Westall). In Gary Kilworth's tale, the possessed becomes the possessor. Jones herself relates how a wolf turns master when a master turns wolf; and Mary Rayner describes a medieval monk's extraordinary vision of peace: an 80's rock festival. Other notably inventive contributors include Helen Cresswell, Roger Zelazny, and Terry Patchett. Though the stories here vary from subtle and poetic to conventional and prosiac, all of them should entertain literate young adults—or indeed anyone with imagination and a love of language.
Pub Date: May 1, 1990
ISBN: 0688091636
Page Count: 182
Publisher: Greenwillow Books
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: April 15, 1990
Share your opinion of this book
More by Diana Wynne Jones
BOOK REVIEW
BOOK REVIEW
by Diana Wynne Jones & illustrated by Paul O. Zelinsky
BOOK REVIEW
by Adam Sass ‧ RELEASE DATE: Sept. 15, 2020
Hard-to-read story, hard-to-stop-reading writing.
A hardscrabble antihero’s coming out lands him in an off-the-grid conversion camp.
Connor Major of Ambrose, Illinois, has quite a mouth on him. But when it comes to the rite-of-passage revelation to his single, hardcore Christian mother that he’s gay, he can’t find his words. At the behest of his boyfriend, Ario, Connor begrudgingly comes out, which is where the book begins. His rocky relationship with his mother is disintegrating, his frustration with exuberantly out Ario grows, accusations of being the absentee father of his BFF’s baby boy haunt him, and he gets violently absconded to a Christian conversion camp in Costa Rica. And that’s all before the unraveling of a mystery, a murder, gunshots, physical violence, emotional abuse, heat, humidity, and hell on Earth happen in the span of a single day. This story points fingers at despicable zealots and applauds resilient queer kids. Connor’s physical and emotional inability to fully find comfort in being gay isn’t magically erased, acknowledging the difficulty of self-acceptance in the face of disapproving homophobes. Lord of the Flies–like survival skills, murder, and brutal violence (Tasers, spears, guns) fuel the story. And secret sex and romance underscore the lack of social liberty and self-acceptance but also support the optimistic hope of freedom. Connor is White, as is the majority of the cast; Ario is Muslim.
Hard-to-read story, hard-to-stop-reading writing. (Fiction 14-18)Pub Date: Sept. 15, 2020
ISBN: 978-1-63583-061-3
Page Count: 392
Publisher: Flux
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Share your opinion of this book
More by Adam Sass
BOOK REVIEW
by Adam Sass
BOOK REVIEW
by Adam Sass
BOOK REVIEW
by Adam Sass ; illustrated by Anne Pomel
by William Shakespeare ; adapted by Malini Roy ; illustrated by Naresh Kumar ‧ RELEASE DATE: Aug. 27, 2019
A solid introduction for budding lovers of the Bard.
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Share your opinion of this book
More In The Series
by Rik Hoskin ; illustrated by Aadil Khan
by Jason Quinn ; illustrated by Lalit Kumar Sharma
More by William Shakespeare
BOOK REVIEW
by William Shakespeare ; adapted by Crystal S. Chan & Michael Barltrop ; illustrated by Julien Choy
BOOK REVIEW
by William Shakespeare ; adapted by Crystal Chan ; illustrated by Julien Choy
BOOK REVIEW
by William Shakespeare ; adapted by Georghia Ellinas ; illustrated by Jane Ray
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.