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THE SPELLCOATS

This takes place in prehistoric Dalemark, whose later history Jones dealt with in Cart and Cwidder (1977) and Drowned Ammet (1978); but there is no evident connection except that the characters of The Spellcoats have become legendary figures in the other novels. The story, all 250 pages, is purportedly being woven, as it happens, into the coats created by young narrator Tanaqui—at first, it seems, she weaves only to record her family's adventures, but later for the inherent magic power of the woven symbols. Orphaned by a war against blond, invading Heathens, Tanaqui and her siblings (who look like the Heathens) are expelled from their village and embark on a long journey down river to an encounter with an evil enchanter out to capture their souls. The children carry with them three ancestral figures called the Undying. (For a while they also carry an ailing older brother, magically transformed into a clay figure.) They learn en route that The One, the most revered of the three figures, is the supreme river god and their own grandfather, and that their dead mother is also the river—and like Grandfather, a god and one of the figures (the Lady). (At one point, too, the river is seen to be a stream of souls, all tumbling toward the enchanter's net.) For a while the children travel with their own king, who has designs on the One (and on the oldest sister), but they prefer the young Heathen king; when both kings die in battle Tanaqui's brother succeeds both and unifies the land. There's more magic here and less human interest than in the companion novels; only those with an interest in the murky roots of imaginary realism will be swept along.

Pub Date: Aug. 14, 1979

ISBN: 0192752804

Page Count: 260

Publisher: Atheneum

Review Posted Online: April 30, 2012

Kirkus Reviews Issue: Aug. 1, 1979

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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A CURSE FOR TRUE LOVE

From the Once Upon a Broken Heart series , Vol. 3

Frustratingly slow and lacking in magical wonder.

Despite living her happily-ever-after, Evangeline can’t help but strive to recover her lost memories in this trilogy closer.

Evangeline Fox awakens in the strong arms of Prince Apollo, her apparent husband, who swears to protect her from the evil Lord Jacks, who stole her memories. Unfortunately, Evangeline remembers nothing of her long and complex journey in the Magnificent North or her past romances; only the pain in her heart lets her know something is missing. At Wolf Hall, Evangeline seeks ways to unlock her missing memories, including enlisting the help of a mysterious guard named Archer, even as Apollo’s behavior becomes more and more controlling. The pacing and plot feel stagnant at first, with Evangeline remembering things in flashes and moments of brief feelings, but things finally pick up once her memories return. With the point of view rotating among Evangeline, Apollo, and Jacks, there are few narrative surprises, but it’s intriguing to delve into the minds of an antagonist and a Fate. The story’s inclusion of the legendary Valors and the fantastical fairy-tale setting are unfortunately overshadowed by the love triangle’s dramatic tug-of-war romance. Likewise, the book’s various themes—power, hope, stories, and the nature of humanity—are of interest but handled in an unfocused way. The conclusion, at least, is satisfying, and it hints at future tales set in this world. Evangeline, Jacks, and Archer read white; Apollo has dark hair and olive skin.

Frustratingly slow and lacking in magical wonder. (map) (Fantasy. 14-18)

Pub Date: Oct. 24, 2023

ISBN: 9781250851208

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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