This latest entry in Jones' Chrestomanci series posits the surfacing of young witches in the closed, confined world of a traditional (though co-ed) boarding school, in a time after witchcraft has been stamped out but inquisitors are still afoot. A witch's gifts commonly show themselves around age eleven, which is just what happens here—to the terror and discomfort of Charles, who holds his finger to the candle flame to remind himself that "burning hurts"; the temporary joy of fat pariah Nan, who's delighted with her change in status; and the likely enjoyment of readers treated to the boarding-school intrigues and spellbound indiscretions. With the coming out of Nan and Charles, relationships shift, all hell breaks loose, more witches (one of them a teacher) reveal themselves, and when things get too hot the arch-enchanter Chrestomanci shows up, summoned by spell from a parallel world. This dapper gentleman settles in at the school, posing as divisional inquisitor and occasioning more shakeups, some of them quite unwelcome to the witches. There is also much exposition about the many parallel worlds of the series: The one in the story, where witchcraft is common but illegal, seems to be a redundant twin of another (ours?) . . . to which it is joined in the explosive classroom finale. And so the whole business is negated in a pouf of Guy Fawkes smoke—but it's larkish fun while the sparks fly.
Pub Date: Sept. 20, 1982
ISBN: 0060298790
Page Count: 198
Publisher: Greenwillow Books
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: Sept. 1, 1982
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
After some autobiographical excursions, Dahl here returns to the sort of whimsically grotesque fantasy that makes grown-ups wince and children beg for more. His heroine is five-year-old Matilda, a genius whose mathematical abilities, as well as her impressive reading list (Hemingway, Steinbeck, etc.), are totally unappreciated by her father—a dishonest used-car salesman—and her mother, a devotee of bingo and TV soaps. Only when the girl enters school does she find an understanding ally, Miss Honey, a paragon of virtue who attempts to defend her pupils against unbelievably cruel headmistress Miss Trunchbull, who hates children in direct proportion to their youth and tortures them accordingly. Just when things seem to be at their worst, Matilda discovers still another gift, telekinesis, enabling her to defeat the horrible Trunchbull and give Miss Honey, and herself, a new start. Dahl's tightly woven plots, his strict sense of absolute justice, and his raunchy "funny bits" make him popular with children who also appreciate the empowerment he grants to his smaller, weaker protagonists. Matilda is the most simplistic of his efforts in this direction, but it does retain the time-honored appeal, abetted by Blake's apt illustrations. It probably should be marked "For Children Only," though. And Dahl slips badly when he says that C.S. Lewis and J.R.R. Tolkien have no "funny bits" in their books.
Pub Date: Oct. 1, 1988
ISBN: 0142410373
Page Count: 240
Publisher: Viking
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1988
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
