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THE CAT, THE DOG, LITTLE RED, THE EXPLODING EGGS, THE WOLF, AND GRANDMA

Too smart for its own good.

A metafictive examination of “Little Red Riding Hood.”

The book opens and closes with a cartoon-style dog and cat—the main characters—discussing the endpapers on the endpapers. They also appear on the title page, the cat with dripping paintbrush in paw, apparently having just finished painting the title. The story begins in earnest as the cat reads “Little Red Riding Hood” aloud to the dog, the text of the tale appearing as a printed sheet of paper, which appears along with the dog and cat against the white background. Believing Little Red to be a superhero, the dog asks what her special power is. The cat explains that Little Red has no superpowers, but the dog continues to drive the cat to distraction. Interestingly, while the grandmother hides in a closet and so avoids being eaten, Little Red’s father appears and cuts off the wolf’s head before Little Red is swallowed—a strange deus ex machina salvation that is not quite as violent as the original story. (It’s violent enough for the dog to question the story’s appropriateness for children, however.) The use of minimal color and objects in the illustrations, coupled with the sometimes-advanced humor, suits the book to older readers with prior knowledge of both fairy tales and superheroes and maturing attention spans. Unfortunately, the book is more metafiction than story, making it feel more an exercise than, well, a book.

Too smart for its own good. (Picture book. 5-9)

Pub Date: Aug. 26, 2014

ISBN: 978-0-545-69481-0

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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