A husband-and-wife pair's first novel in which up-and-coming, moderately honest Manhattan lawyer Alec Anton interrupts his defense of two clients—caught with their hands in the till—to search reluctantly for an alluring neighbor's drug-involved son. Alec's protests that he doesn't do missing persons—he just wants to be left alone to plea-bargain white-collar looters Felix Schwartzberg and Jimmy Gallagher out of prison time—don't stand a chance weighed against his divorced neighbor Lee Hastings's fabulous body, suitably and frequently deployed. But Lee's missing son Noah, barely out of his teens, is big trouble, as even slow-witted Alec gradually realizes: Noah was not only the school chum of Philip Ochoa, scion of the fabulously wealthy Colombian flower-importing family, but also the advance man for the Ochoas' multimillion-dollar American cocaine trade. And when Noah is linked to corporate blue-blood Trumbull Oakes, a pivotal figure in Felix and Jimmy's scam, the chase for the missing boy seems to be heating up. But just then, halfway through, Noah turns up dead—and the story trails off into a deeper mess than Lee's landed Alec in, as his obsessive quest for Noah turns into a series of frantic maneuvers against the bad guys, the police, and his own partners, determined to shut him out—with Lee putting in periodic appearances to remind you why Alec got involved in the first place. In due course: Alec gets seduced by a cocaine-snorting associate in his firm who lodges an affidavit against him; Felix gets blown away; Alec's US attorney buddy Vinny Santorini suppresses Alec's evidence against Oakes and puts the DEA on Alec's tail; Alec sends a copy of the evidence to Ochoa Senior; Oakes gets blown away; and Noah's killer comes after Alec and Lee in a ludicrous finale. Any questions? A feverish fantasia on themes from tormented-attorney fiction and newspaper stories on drugs and financial malfeasance.
Pub Date: Feb. 21, 1992
ISBN: 0-316-35752-9
Page Count: 336
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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