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HER HUSBAND

HUGHES AND PLATH: A MARRIAGE

Some somber new brushstrokes darken an already dismal painting. (37 b&w illustrations)

Another examination of the passion, poetry, infidelity, depression, ambition, lies, and suffering that have made Ted Hughes and Sylvia Plath the most notorious couple in modern literary history.

Middlebrook (Anne Sexton, 1991, etc.) did much research for this latest brick in the now-imposing edifice of material about Plath and Hughes. She examined the Hughes papers, now available to scholars at Emory University, as well as the Plath archive at Smith College. She refers early and often, as well, to Hughes’s two 1998 volumes dealing with Plath, Birthday Letters and the lesser-known Howls and Whispers, which appeared in an edition of 110 copies. Middlebrook endeavors to withhold judgment about Hughes’s behavior with Plath and her successors, but his actions as a serial adulterer speak quite eloquently. As does his poetry, from which the author quotes liberally. She speculates about the “disappearance” of some key Plath material, about the contents of a trunk at Emory that cannot be opened until 2023, and about the causes of Plath’s 1963 suicide. Her conclusion about the latter? Depression—hardly a novel insight. Middlebrook begins with the 1956 meeting of her two principals and then moves steadily forward to Hughes’s 1998 death from heart failure and cancer, though some chapters loop to revisit and modify earlier segments. The author makes insightful comments about each poet’s writing, about their individual artistic growth, and about their collaborations: before their break-up, in their impecunious days, they regularly read each other’s work and even composed at the same table. Middlebrook sensitively shows how each helped fashion the other, though some of her psychological observations sound a bit loopy, e.g., he is a “poet-shaman, journeying in the psychological murk of fear and detestation of the female.”

Some somber new brushstrokes darken an already dismal painting. (37 b&w illustrations)

Pub Date: Oct. 13, 2003

ISBN: 0-670-03187-9

Page Count: 416

Publisher: Viking

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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