Some somber new brushstrokes darken an already dismal painting. (37 b&w illustrations)
Another examination of the passion, poetry, infidelity, depression, ambition, lies, and suffering that have made Ted Hughes and Sylvia Plath the most notorious couple in modern literary history.
Middlebrook (Anne Sexton, 1991, etc.) did much research for this latest brick in the now-imposing edifice of material about Plath and Hughes. She examined the Hughes papers, now available to scholars at Emory University, as well as the Plath archive at Smith College. She refers early and often, as well, to Hughes’s two 1998 volumes dealing with Plath, Birthday Letters and the lesser-known Howls and Whispers, which appeared in an edition of 110 copies. Middlebrook endeavors to withhold judgment about Hughes’s behavior with Plath and her successors, but his actions as a serial adulterer speak quite eloquently. As does his poetry, from which the author quotes liberally. She speculates about the “disappearance” of some key Plath material, about the contents of a trunk at Emory that cannot be opened until 2023, and about the causes of Plath’s 1963 suicide. Her conclusion about the latter? Depression—hardly a novel insight. Middlebrook begins with the 1956 meeting of her two principals and then moves steadily forward to Hughes’s 1998 death from heart failure and cancer, though some chapters loop to revisit and modify earlier segments. The author makes insightful comments about each poet’s writing, about their individual artistic growth, and about their collaborations: before their break-up, in their impecunious days, they regularly read each other’s work and even composed at the same table. Middlebrook sensitively shows how each helped fashion the other, though some of her psychological observations sound a bit loopy, e.g., he is a “poet-shaman, journeying in the psychological murk of fear and detestation of the female.”
Some somber new brushstrokes darken an already dismal painting. (37 b&w illustrations)Pub Date: Oct. 13, 2003
ISBN: 0-670-03187-9
Page Count: 416
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2003
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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