A colorful and credible first novel, by science/environment writer Smith, takes an epistolary approach to a tale of a budding young naturalist who’s invited to join a Smithsonian-backed expedition to Yellowstone in the summer of 1898, but who first has to overcome the dismay of her colleagues when they discover their naturalist is a woman. Although the initial correspondence between A.E. Bartram and the expedition leader, Montana college professor Merriam, is cordial and professional, the first sight of Alex (short for Alexandria) after she arrives in Yellowstone gives rise to a different dynamic. The mild-mannered, bespectacled Merriam hems and haws about what to do with her. Then, knowing how desperately shorthanded his expedition is, he decides to let her come along’secretly hoping she’ll soon call it quits herself. Alex quickly proves her competence, with a degree of scientific rigor easily exceeding Merriam’s own, yet her independence precipitates the team’s first crisis: she goes in search of specimens one day without telling anyone where she’s headed, so that when a spring snowstorm envelops them all, Merriam goes to her rescue. Then, however, he tumbles off a cliff and needs her to keep him alive. Other trials involve another member of the team, a brandy-soused meteorologist who prefers the park’s hotels to the outdoors, and Alex’s mentor and fiancÇ, a Cornell biology professor, who is sent by the young woman’s parents to Montana to bring her home. The fiancÇ, unable to adjust to Alex’s new free-spirited behavior, soon goes back east alone, and Alex finds herself changing even more, confronted with Merriam’s broader view of science and his obvious respect for the herbal knowledge of his Crow Indian assistant. A warm, satisfying story. Despite repetition from overlapping correspondence and rather conventional plot twists, the magic of a Yellowstone summer shimmers here enticingly.
Pub Date: July 1, 1999
ISBN: 0-670-88631-9
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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