A haunting meditation on lives that intersect in unexpected ways.
A mysterious event leads to an unlikely connection between an actor and an artist in this novel.
In 1984, Nora Forrest lives a quiet and contented life in Boston. She is happily married to a man named Rick and enjoys success as an artist. Although she was “never the crush type,” she has a deep affection for Irish actor Hugh Sheenan. When her sister, Fran, tells her Hugh is starring on Broadway in a production called The Lion’s Share, Nora asks her mother in New York to purchase tickets. Before she leaves for the trip, she has a cryptic and baffling dream about Hugh. In New York, Hugh prepares for the play with the help of his trusted friend and secretary, Leon. The show is going well, but he is troubled by a peculiar dream involving a young woman. Nora is enchanted by The Lion’s Share, but toward the end of the final act something happens that neither she nor Hugh can understand or explain. After Nora returns to Boston, she sends Hugh a letter and a drawing of her impression of his performance. The drawing haunts Hugh, prompting him to arrange a visit with Nora in Boston, setting the stage for an encounter that may answer their questions about what happened during the play. The latest novel from Wald (Wonderbender, 2011, etc.) is an intelligent and sensitive exploration of the ineffable power of connection and coincidence. The inventive narrative is told from the perspectives of four characters: Nora, Hugh, Leon, and Rick. In chapters that alternate among these characters’ first-person points of view, the tale of Hugh’s fateful turn in The Lion’s Share and its aftermath unfolds along with the love story of Nora and Rick. While the theatrical performance lies at the heart of the narrative, flashbacks throughout the book enable the author to examine Nora’s relationship with her husband and her admiration for Hugh as well as the actor’s career and his turbulent personal life. Wald’s elegant and graceful prose begs to be savored: “After I mailed the drawing, I thought the circle was complete. In a way I wished that I’d taken a photograph of it so it would not be so irrevocably gone from my life, but in another way its absence made the sacrifice sweeter.”
A haunting meditation on lives that intersect in unexpected ways.Pub Date: April 16, 2019
ISBN: 978-1-63152-517-9
Page Count: 256
Publisher: She Writes Press
Review Posted Online: Jan. 11, 2019
Kirkus Reviews Issue: March 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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