A pleasant if highly selective tour led by a genial guide.
The continuation of an author’s love affair with Italy.
“Italy chose me,” writes Hales (Mona Lisa: A Life Discovered, 2014, etc.) at the beginning of her latest book about the country she loves. Thirty years ago, after she gave a talk in Gstaad, Switzerland, “I impetuously switched trains and headed south to a sun-kissed country I’d never visited.” It’s been love through rose-colored glasses ever since. This installment is not so much a travelogue as a survey course of the great achievements that have precipitated what Hales calls “una passione italiana,” a passion that can “take you beyond yourself and outlast you.” Although she mentions some of the places she has seen—e.g., a trip to “the last traditional textile maker in Venice,” a visit to Piedmont vineyards—most of the book consists of capsule histories of the warriors, literary figures, painters (including the Renaissance’s “two blinding supernovas,” da Vinci and Michelangelo), foods, wines, films, and more that have helped this “scrawny peninsula smaller than California…leave such an outsize imprint on Western culture.” The author’s tone can be breathless. When she alights at a train station, “I longed for more eyes to see, more ears to listen, more neurons to process the sensations bombarding me.” When she eats handmade chocolates, delectable flavors “cascade into my mouth. Every taste bud thrills to attention. Waves of delight ripple along my tongue.” Italy’s greatest achievements are indeed extraordinary, but one wonders what some readers will think of the contention that Italian food is “arguably everybody’s favorite” or the author’s unsubstantiated claim that Italian cucina “has dethroned haughty French cuisine.” Nonetheless, the narrative is an enjoyable read with memorable passages, as when Hales calls thrice-married Ovid “a prototypical advice columnist” whose “urbane manual for seduction, Ars amatoria,” offered advice on such topics as how ladies could enhance their flat breasts and fake their orgasms.
A pleasant if highly selective tour led by a genial guide.Pub Date: April 16, 2019
ISBN: 978-0-451-49916-5
Page Count: 320
Publisher: Crown Archetype
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
The grand sweep of American history is writ small in this family history/memoir by humorist Frazier (Great Plains, 1989, etc.). Frazier undertook this effort after his parents died in the late 1980s, to ``find a meaning that would defeat death.'' But his project seems more complicated and self-conscious, if not pretentious: an attempt to somehow reclaim American history for himself, a white Protestant. His preoccupation with his own religious doubt, contrasted with the firm faith of his ancestors- -whether German Reformed, Old School Presbyterian, or, like his great-great-grandfather Simeon Frazier, a member of the antiauthoritarian Disciples of Christ—culminates in a strange, reductionist review of American history as an expression of the decline of Protestant faith. More broadly, Frazier shares indiscriminately with us every detail he has been able to root out: from the momentous (the arrival of Thomas Benedict on these shores in 1638 and his descendant Platt Benedict's founding of Norwalk, Ohio) to the trivial (his great-great-uncle Charles's first attempt at fly-fishing and his grandmother's showing family pictures to Tennessee Williams in Key West). The quantity of information that could have rendered full-blooded portraits of long-ago generations is lacking; the lengthy catalogs often offered (trite entries from a great-grandfather's school diary, quotations from his parents' rather ordinary love letters) seem like fillers. The histories of the Fraziers, Wickhams, Benedicts, and Hurshes do follow the outlines of American history: the push west (all his relatives ended up in Ohio); the Civil War (Norwalk was a stop on the underground railroad); industrialization (his father became a chemist for Sohio). But Frazier's prose is flat as a prairie and his humor dry as stone. Only at the end, in interviews with two colorful relatives, and with the description of the deaths of his teenage brother Fritz from leukemia and of his parents, does the tale reach emotional heights. An object lesson in the pitfalls of writing a family history for anyone other than your family. (First printing of 50,000; $50,000 ad/promo; author tour)
Pub Date: Oct. 28, 1994
ISBN: 0-374-15319-1
Page Count: 400
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
Imagine a collaboration between Arnold Toynbee and R. Crumb and you get a pretty good idea of Gonick's clever and ambitious comic book series. This volume should not be taken as some kind of Mel Brooksish joke. Gonick does his research and interprets his sources with scholarly care. Inspired by the educational comic books of Latin American artist RIUS, Gonick makes world history a blast— literally, with his predilection for onomatopoeic word balloons. In this second collection—the last left us with Alexander the Great schlepping toward Persia—Gonick takes us on a side tour through India and China. He integrates myth and history to establish the origins of sectarian conflict in India, and attends to migration patterns from the Middle East to China in order to explain the development of Buddhism and Confucianism. Dynamic intrigue and the threat of northern barbarians compete with periods of prolonged peace. This highly selective version of Chinese history, though full of diverting stories, will be a bit confusing to readers unfamiliar with the main players. Back in Rome, meanwhile, after the death of Alexander, the republic enters its period of glory, followed by the building of the empire. Problems of succession lead to lots of lurid anecdotes about perverse and insatiable emperors, violent entertainments, brutal conquests—all of which Gonick records with Mad-like irreverence. He equivocates, however, in telling the story of Jesus, ending up with an uneasy mix of canonical fact and outright heresy. His account of the historical rise of Christianity is superb and demonstrates an interesting parallel with China: In both cases alien cults from the edge of the empires eventually captured the capital cities. Gonick's humor is mostly visual and relies on the juxtaposition of comical images with his relatively sober text. Despite his lefty, multi-culty inclinations, Gonick maintains the high level of sophistication, skepticism, and just plain fun established by the first volume.
Pub Date: Oct. 1, 1994
ISBN: 0-385-42093-5
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
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