by Larry Gonick & illustrated by Larry Gonick ‧ RELEASE DATE: April 1, 2005
A zany premise and an equally off-the-wall plot keep this wandering tale—the first separate outing for characters with a regular gig in MUSE magazine—afloat, but just barely. Eight of the nine ancient Muses having retired to an old-age home, humanity’s welfare is left to a motley assortment of New Muses, like featherbrained, doughnut-obsessed Feather (Muse of Plants), Aeiou (Muse of Software), Bo (Muse of Factoids) and Kokopelli the flute player (Muse of Tricks and Tunes). Though Gonick introduces Emma, a young orphan whose deranged stepfather Darien Drinkwater is out to recover a treasure that belongs to her, Kokopelli is really the central character here—and he’s bending every effort to clobber the elusive Urania, Muse of Astronomy, with ballistically launched, electronically enhanced “smart pies.” Happily, he leaves off his obsession long enough to cozen Drinkwater with the Nigerian Scam, so that Emma can recover the gold and find a new, better home. Sporting an array of odd forms in the tiny vignettes with which this tale is sprinkled, the New Muses may keep their current fans amused, but they’re unlikely to draw many new ones with this offbeat episode. (Fantasy. 9-11)
Pub Date: April 1, 2005
ISBN: 0-8126-2740-7
Page Count: 192
Publisher: Cricket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
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by James Patterson & Chris Grabenstein ; illustrated by Anuki López ‧ RELEASE DATE: April 1, 2019
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by James Patterson & Ellen Banda-Aaku with Sophia Krevoy
by Tony DiTerlizzi & illustrated by Tony DiTerlizzi ‧ RELEASE DATE: Aug. 5, 2008
Reports of children requesting rewrites of The Reluctant Dragon are rare at best, but this new version may be pleasing to young or adult readers less attuned to the pleasures of literary period pieces. Along with modernizing the language—“Hmf! This Beowulf fellow had a severe anger management problem”—DiTerlizzi dials down the original’s violence. The red-blooded Boy is transformed into a pacifistic bunny named Kenny, St. George is just George the badger, a retired knight who owns a bookstore, and there is no actual spearing (or, for that matter, references to the annoyed knight’s “Oriental language”) in the climactic show-fight with the friendly, crème-brulée-loving dragon Grahame. In look and spirit, the author’s finely detailed drawings of animals in human dress are more in the style of Lynn Munsinger than, for instance, Ernest Shepard or Michael Hague. They do, however, nicely reflect the bright, informal tone of the text. A readable, if denatured, rendition of a faded classic. (Fantasy. 9-11)
Pub Date: Aug. 5, 2008
ISBN: 978-1-4169-3977-1
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
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