by Dianne Warren ‧ RELEASE DATE: Aug. 16, 2016
Fine, sensitive fiction, though the author’s rigorously restrained approach won’t be to everyone’s taste.
A woman finally confronts the past she has blotted out for more than 20 years in Warren’s follow-up to her Governor General’s Award–winning debut (Juliet in August, 2012).
On holiday in Ireland, Frances Moon blurts out to her longtime partner, Ian, that she had a stillborn child when she was 19 and, by the way, never divorced the husband who wasn’t the father of her baby. Back in Toronto, Frances quits her job and heads for Elliot, the small town in western Canada where she grew up. She is devastated Ian might not be waiting when she gets back, but she has done nothing to counter his accusation that “you are a person who resists happiness.” We begin to discern the reasons for this in Chapter 2, which rolls back to the early 1960s to show 5-year-old Frances wondering if her restless, dissatisfied mother has taken off for good while her father weeps at night. Mom does return, making it her mission to ensure that her daughter goes to university and escapes her fate as a farmer’s wife. As Warren traces Frances’ loss-haunted childhood and adolescence—three significant adults in her life die unexpectedly—the present-tense narration underscores that none of these issues have been resolved. It’s painful to watch Frances sabotaging herself: refusing to apply for a scholarship; marrying a much-older man simply because it gives her aimless life some direction; then abruptly changing course when the magnitude of her mistake dawns on her. Warren’s reluctance to delve into her characters’ motivations gives the novel a rather distanced feel for quite a while, though it’s highly readable throughout. Then, just as young-adult Frances “step[s] from the ruins of a life that didn’t happen,” the startling interpolation of the town scapegrace’s back story points us in the direction of a tentative emotional reckoning for Frances as well. The understated yet touching closing pages suggest Frances has achieved some degree of contentment.
Fine, sensitive fiction, though the author’s rigorously restrained approach won’t be to everyone’s taste.Pub Date: Aug. 16, 2016
ISBN: 978-0-399-15801-8
Page Count: 384
Publisher: Marian Wood/Putnam
Review Posted Online: May 23, 2016
Kirkus Reviews Issue: June 15, 2016
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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