by Dianne White ; illustrated by Felicita Sala ‧ RELEASE DATE: March 17, 2020
A beautifully illustrated, peaceful song of family, community, and new birth. (Picture book. 3-7)
A celebration of colors through a full cycle of the seasons.
This rhyming, lyrical story opens with a blue-eyed, dark-skinned mother and child enjoying the yellow flowers in a grassy green meadow with the father riding horseback nearby and a lighthouse on the coast in the background. The text accompanying each seasonal sequence includes a refrain that focuses on the colors: “yellow on green” for springtime. The rhythmic text practically sings of the shifting seasons, as spring turns to summer, summer to fall, and so on, while the matte illustrations reveal the child’s curiosity, the family’s bonds, and the mother’s growing roundness as they all prepare for the birth of a baby. A summer trip to the beach brings “turquoise, teal, and blue on green”; “toasty and warm” “cinnamon, almond, and brown on green” abound in fall; winter comes with “gray and taupe and white on green”; and spring sees the addition of a new family member. Since every season includes green, it remains a touchpoint and a refrain throughout. Insects and animals, including the family dog, show up on most pages, giving detail-oriented readers lots to explore. Sala’s intentional inclusion of diversity in this rural community, as folks gather for activities and events, offers mirrors for many kinds of readers and emphasizes the richness of cross-cultural sharing.
A beautifully illustrated, peaceful song of family, community, and new birth. (Picture book. 3-7)Pub Date: March 17, 2020
ISBN: 978-1-4814-6278-5
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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