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RIO LOS ANGELES

A measured but engrossing tale of a tightknit community’s strength.

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In this debut novel, a world traveler visits an island off the U.S. coast and mingles in good—as well as dangerous—company.

Globe-trotting Judah Goodwin’s latest destination is the United States. But the ship he’s on drops him off at, as the helmsman puts it, “Almost America”—the small island Rio Los Angeles sitting somewhere between Nova Scotia and Maine. Judah, a kind, capable man, quickly befriends the islanders, especially when he helps prevent a house from tipping and sliding into the ocean. Rio Los Angeles has a rich history, as some families have lived there for generations. This includes the Mirandas and the Eldridges, who share a bit of bad blood stemming from a fatal car accident more than a decade ago. Judah grows close to local sheriff Lee Miranda and even joins her profitable “quahog project.” Many islanders band together to harvest these quahogs, large clams that will spruce up anyone’s clam chowder. Sadly, not everyone on the island is neighborly, as three strangers make their way there and seem dead set on ransacking underwater quahog pens. These abrasive men also prove violent toward locals, forcing Lee and others to track them down as swiftly as possible. Meanwhile, Judah learns the ship that left him at the island has sunk with apparently no survivors. This news sparks his memories of the captain, who not only was up to no good, but may have used him as an unwitting courier for looted goods. It’s not long before a menacing individual comes looking for whatever Judah has.

Kent’s leisurely paced story devotes pages to work on the island. Characters, for example, discuss the quahog project and a later plan to harvest sea salt. Other scenes describe the laborious process of digging, packaging, and hauling clams. Many of the details, however, give the narrative color, including the stories that Judah and the islanders trade. He tells of his global travels, from the daily catches of fishing communities in Tanzania, East Africa, to a vault for storing seeds of worldly food crops on the Norwegian island of Spitsbergen. This is moreover indicative of the author’s sharp prose. Scenes at sea are particularly strong, even with minimal context for readers unfamiliar with nautical terminology: “They rafted the skiff to the Lydia. There was a mismatch in height and there were swells in the current. But foam rubber fenders hanging from Lydia’s gunwale cushioned a rhythmic bumping of the vessels.” While there’s little in the way of individual character development, certain moments pack a punch; a woman endures and recovers from a vicious assault, and more than one islander dies, deaths that unquestionably affect the community. At the same time, potential romance between Judah and Lee is sublimely understated; she calls him Chesapeake (a nod to Judah’s home), an endearing name that only Lee uses. Most of the Rio Los Angeles locals, too, are accommodating; Judah fits in so well with the rest of the cast that one may think the world traveler is not merely visiting but there to stay.

A measured but engrossing tale of a tightknit community’s strength.

Pub Date: June 30, 2022

ISBN: N/A

Page Count: 383

Publisher: Luminare Press

Review Posted Online: May 27, 2022

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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