Animals great and small, real and imaginary sprawl across Rogers's vigorous, spread-filling, eye-filling watercolors in this wild and woolly successor to Monster Soup and Other Spooky Poems (1992). Evans opens with a poem of her own, sending a joyous eight-year-old out to celebrate his birthday by searching for the perfect pet. He considers James Reeves's ``The Doze'' (``Through Dangly Woods the aimless Doze/A-dripping and a-dribbling goes''), then a yak, a pterodactyl, a bat, a monkey, an ant, a mud-loving ``Mudgimu,'' and others, who appear in poems by Marilyn Singer, Theodore Roethke, May Swenson, et al. At last he settles on Issa's puppy, sleeping in the long grass ``with a leaf stuck in his mouth.'' With just 14 poems, including the one on the endpapers, this is a slender gathering, but the selections vary nicely in tone and level of discourse, and the illustrations expand upon the pieces with exuberance. (Picture book/poetry. 6-9)
Pub Date: Oct. 1, 1997
ISBN: 0-689-80734-1
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
BOOK REVIEW
BOOK REVIEW
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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