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THE VIRTUE OF PROSPERITY

FINDING VALUES IN AN AGE OF TECHNO-AFFLUENCE

Read it for its reporting, not its insights—which are few.

D’Souza (Ronald Reagan, 1997, etc.) tells us what’s right, and what’s wrong, with our brave, new, prosperous world.

Folks are getting rich quick everywhere, thanks to a booming stock market and dross-to-gold Internet start-ups. And while America has always been rich, this rich is a new kind of rich—marked in part by the young super-rich, like 20-year-old Yale undergrad Joshua Newman, who runs a $6 million venture-capital fund. But the wealthy, D’Souza argues, are mired in moral quandaries: how did I get so lucky? Do I deserve these riches? The new wealth has done more than make a few millionaires feel guilty; it has also produced a larger critique of society. The stock-market boom and rampant consumer capitalism, say critics, are destroying American values—destroying the environment, tampering with religion, widening the gap between rich and poor. One-time ideological foes, like leftist Studs Terkel and conservative Gertrude Himmelfarb, can meet and agree on this much: our bank accounts are richer, but our society is poorer. And there’s another critique, less articulate, but no less heartfelt: the ones “left behind,” the Hollywood waitresses who aren’t making it on the silver screen, the college geeks who aren’t founding the next big Web site, are outraged and self-righteous. Why do they have to flip burgers while Julia Roberts suns at her pool? But capitalism is not all bad, D’Souza says, because even those waitresses who aren’t making millions still lead a pretty good life. They drive nice cars and have wide-screen TVs. Will these “consolation prize[s] . . . appease” them? D’Souza thinks not: the lower-middle classes won’t rise up in armed rebellion; they will sink into despair. His thesis is richly illustrated with fascinating anecdotes, but the yarns D’Souza tells fail to offer much in the way of prognosis, lending an unfinished quality to his overall portrait.

Read it for its reporting, not its insights—which are few.

Pub Date: Nov. 13, 2000

ISBN: 0-684-86814-8

Page Count: 256

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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