Enright's engaging commonplace book takes multiple advantage of his work as a poet, traveling professor, book reviewer, and, not least, anthologist. Of an apparently polymathic author, Swift wrote, ``what though his head be empty, provided his commonplace book be full''—which Enright notes with characteristic irony in his own eclectic one. With his scholarly career spanning Singapore, Japan, Thailand, and Egypt, and a journalistic background to balance his poetic output, Enright makes a heterogeneous assembly seem intimate and personal. There are reflections on the themes and figures of his poetry, including Faust, Adam and Eve, and his working-class Warwickshire childhood, as well as a scattering of new poems. There are also miniature travelogues from his professorships that are both searching and diverting, whether on instruction in Thai, madness in Egypt, or the actually scrutable Japanese. Professionally, his experiences on both sides of publishing—the inner workings of editors and the makeshift criticisms of book reviewers—complement his extracts from George Gissing on Grub Street, Milton on freedom of the press, and Dr. Johnson and Coleridge on writing as a career. Likewise his time as a teacher of English literature informs both his criticisms of self-involved, self-destructive theorizing and his views of literature's uses amid modern media and in other cultures. Although his self-effacing irony holds its ground in these matters, his opinions closer to home are a little parochial, be it on the soap opera Coronation Street, Princess Di, the Times Literary Supplement, or Salman Rushdie. Enright recovers himself as he winds his book up on the subjects of age and mortality, notably on fictional children's deaths and Anthony Burgess's passing. If some personal observations court banality and the philosophy is not the deepest, Enright's well-arrayed selections form a pleasurable trove of musings and browsings.
Pub Date: Dec. 14, 1995
ISBN: 0-19-282493-7
Page Count: 237
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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