An admirable, well-written intellectual exercise with limited real-world applicability.
Ngu proposes a peace plan for Ukraine that requires concessions from both sides of the conflict.
The author, a computer scientist who fled South Vietnam after the communist takeover in 1975, considers the conflict in Ukraine and questions whether “the Kremlin autocrat” meets the traditional criteria of a fascist. Ngu bases his contention that Putin is indeed a fascist on statements the Russian leader has made expressing a desire for a reconstitution of a “Holy Rus,” composed of ethnic Slavic members of the Russian Orthodox Church. The author posits that Putin’s grand plan includes not only the seizure of Ukraine but the eventual possession of Belarus. Detailing how Ukrainian resistance and Western support have so far stalled Putin’s designs, Ngu describes how his Crimea–Ukraine–Russia–Donbas peace plan would require the withdrawal of both Russian and Ukrainian occupying forces and the return of Crimea to Ukraine to facilitate Russia’s purchase of the territory for a series of concessions. In exchange for these concessions, which include the repatriation of displaced persons and prisoners as well as the cancellation of Ukrainian debt, Ngu proposes that Ukraine undertake a stance of “engaged neutrality” toward Russia, offer native residency to Russian separatists in Donetsk, Kherson, Luhansk, and Zaporizhzhia, and request the removal of sanctions on Russia by the international community. Ngu has invested commendable effort in the creation of his plan, using the logic and pragmatism of a scientist: “I look at the world from a software engineering view. There is a problem (an intractable conflict); there is a goal (peace); in between, there is an R&D process to produce creative solutions.” Unfortunately, the scheme fails to take into account human emotion and largely rests on the appeasement of Russian desires, offering little justice to the victims of the illegal invasion. The Ukrainian people would no doubt wonder why a settlement that offers “satisfaction for both” sides should be considered at all.
An admirable, well-written intellectual exercise with limited real-world applicability.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Feb. 3, 2026
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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