by Dominic Lawson ‧ RELEASE DATE: July 1, 1994
An inside look at the 1993 chess match between Englishman Nigel Short and Gary Kasparov, from a longtime chess correspondent and confidant of Short's. Lawson delivers an intimate record of the first westerner's challenge for the world championship since the legendary Bobby Fischer. The match was played before London television cameras and treated by the English press as if it were Wimbledon. End Game penetrates to the inner game, a battle of individual wills. Short, a slight, bespectacled Lancashire man, rose out of England's amateur chess league as a child prodigy; Kasparov, rigorously trained in the Soviet system from childhood, was the reigning world champion. Lawson presents their contest as one between two antithetical philosophies, styles, and temperaments (as well as countries). With privileged information, he describes a suspenseful preliminary struggle, including the machinations of FidÇ, the world chess organization, against which Short and the famously fickle Kasparov joined in an uneasy alliance, forming their own players' association to sanction their championship match in London. In tellingly contrasted methods of preparation, Kasparov sequestered himself on a Croatian island with a retinue of three Russian grandmaster coaches, while Short crammed with a Czech grandmaster (whom he patricidally fired during the match itself) and shuttled between his coach in suburban Virginia and his family in Athens. Lawson, an unapologetic Short partisan, is unwaveringly loyal; his remarks about Short's enemies, whether in Kasparov's camp or in the British press, are sometimes abrasive and gratuitous. He is, however, objective enough as a chess correspondent to analyze Short's blunders (there is an appendix of each game in standard algebraic notation) and let him make his own excuses, which he rarely did. Although the games Short played will not make any anthologies, the playing of them as recounted here has wrenching immediacy, conveying the tension of every ploy, bluff, miscalculation, and inspired gambit.
Pub Date: July 1, 1994
ISBN: 0-517-59810-8
Page Count: 256
Publisher: Harmony
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1994
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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