by Dominick Dunne ‧ RELEASE DATE: July 1, 2001
Are the scales of justice at work here? Hardly. But Dunne’s courtroom tales are a lot more lucid than most judge’s...
Surging reports on high-society murder cases, featuring some of the most seamy and venal behavior this side of Gomorrah, from the man who wrote the book on such doings, Dunne (The Way We Lived Then, 1999, etc.)
Collected here are Dunne’s articles from Vanity Fair on high-profile courtroom dramas involving O.J. Simpson, Erik and Lyle Menendez, Claus von Bülow, the murder of Martha Moxley in Greenwich, Connecticut—nine stories in all, including a lacerating piece on the murder of his daughter, Dominique. Making no pretense at balance (Dunne is nothing if not opinionated and a great deal of the effectiveness of this work revolves around that), the author is scrupulously honest in his reporting, and thorough. He also moves at a good clip, pulling readers along as though a hand had clasped their sleeve, pointing out inconsistencies in testimony and the willful corruption of the truth by shady lawyers. O.J. gets the most pages: “The Simpson case is like a great trash novel come to life, a mammoth fireworks display of interracial marriage, love, lust, lies, hate, fame, wealth, beauty, obsession, spousal abuse, stalking, brokenhearted children, the bloodiest of bloody knife-slashing homicides, and all the justice that money can buy.” Dunne has a knack for capturing the air of unreality that bathes these trials, but the crimes themselves are simply grisly: “The porno star and the unemployed dishwasher implicated each other in helping Murillo as he held a pillow over her face to muffle her screams. It had taken the three of them 15 minutes to kill her.” Dunne also has a way with delivering a dig—“A man just convicted of twice attempting to murder his wife would not seem like much of a catch to most women”—although he can also be prim: a particular judge, for example, was “noticeably dressed in a manner associated more with Hollywood agents than with superior court judges.”
Are the scales of justice at work here? Hardly. But Dunne’s courtroom tales are a lot more lucid than most judge’s instructions to their juries.Pub Date: July 1, 2001
ISBN: 0-609-60873-8
Page Count: 288
Publisher: Crown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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