It's Kennedy-bashing time again, as rich-and-venal chronicler Dunne (An Inconvenient Woman, etc.) drags writer-hero Harrison Burns through 20 years of guilt for having helped our most prominent Irish Catholic family cover up a sex murder by its fair-haired scion. After a brief peek ahead—naughty talk, dirty pictures, and several murders are all mentioned in the first four pages—it's 1972, and Harrison is mysteriously infatuated with prep-school chum Constant Bradley, a plausible cipher who can get aroused only when he's beating up his dates. When Constant's unwanted attentions to Winifred Utley leave her dead on the family estate, Harrison reluctantly helps cover up his guilt, allowing himself to be bought off (``My soul was lost, but my future was bought and paid for'') by Constant's wealthy, ruthless father Gerald (no slouch at covering up his own sex crimes) with the connivance of Constant's slimy, crippled brother Jerry. (Hovering piously on the fringes: Constant's impossibly devout mother Grace, his successful brothers Desmond and Sandro, and his sisters Maureen and Mary Pat, who never mention their retarded, institutionalized sister Agnes.) Then it's 1989, and Harrison, visiting a Maine nursing home to cover one of his true-crime exposÇs, runs into Constant's sister Kitt, visiting crazy Agnes, immediately starts a torrid affair with Kitt, and allows himself to be lured back into the Bradley orbit by the offer to ghostwrite a saccharine family bio to launch Constant's gubernatorial bid. When old man Bradley, trying to take uncooperative Harrison out of the picture for good, overreaches himself, Harrison decides to unload his secret and go after Constant. So in 1993, Harrison looks back over the long-delayed trial—and its inevitable outcome. Dunne may see himself as another F. Scott Fitzgerald, chronicling the moral corruption of the well-to-do (references to Gatsby passim). But the main pleasures here involve nothing more moving than watching a wily old pro set up characters with as much individuality as ninepins preparatory to bowling them down. (Literary Guild Selection for Summer)

Pub Date: May 5, 1993

ISBN: 0-517-58386-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1993

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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