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EVERY SINGLE NIGHT

A glass of milk, pajamas, a toothbrush, a bath—all are part of Simon’s bedtime ritual, but it’s not until his father comes into the room to begin putting the world to sleep that he can finally rest. He begins with the plains and jungles of Africa, and then moves to the deep Caribbean Sea. Saying goodnight to the caribou, wandering the tundra and then to the geese of the Americas, Simon’s father begins pulling up the covers an inch at a time. After asking the fairies to watch over the world, he pulls the covers all the way up to Simon’s chin. Illustrations rendered almost entirely in the darkest shades of red, black and grey seem more to overwhelm the story with their darkness than suggest the richness of night. Unfortunate choices of layouts and an odd color palette distract so much from the story that the unique tale is almost completely obscured. (Picture book. 4-7)

Pub Date: March 1, 2006

ISBN: 0-88899-699-3

Page Count: 32

Publisher: Groundwood

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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SONG IN THE CITY

An eye-catching, toe-tapping celebration of the melodies in everyday sounds.

A blind girl endeavors to share her musical perception of city sounds.

When Emmalene and Grandma Jean set out one Sunday, Emmalene rejoices at the “busy city symphony” that surrounds them as Bernstrom imbues his rhythmically rhyming text with exuberant onomatopoeia. There’s the “RUMBLE” of the bus, the “BIPPITY-BOP!” of a nearby marching band, and the “tippity-tapping” of the wind. But to impatient Grandma Jean, the sounds are mere “commotion”; for her, music is the church choir’s “loud and joyous” song. When Emmalene becomes frustrated that Grandma Jean doesn’t understand, Grandma Jean valiantly tries to hear from her perspective. But only after Emmalene covers Grandma Jean’s eyes does Grandma Jean finally hear her song; in kaleidoscopically colored text against black background, “acorns ticked. A backhoe WRECKED. A truck HARRUMPHED. And birds peck-pecked.” Emmalene and a tearful Grandma Jean embrace, and together they listen to the city’s “CLAPPING / FLAPPING / tippity-tapping” tune. Mohammed’s bright, bold illustrations vividly animate the bustling city, and Emmalene’s and Grandma Jean’s expressions are endearing; their love is palpable. Though Grandma Jean’s poignant epiphany echoes the trope of a disabled character imparting a lesson to a nondisabled character, the potentially off-key note is offset by the heartwarming portrayal of Emmalene and her grandma’s intergenerational bonding. Grandma Jean and Emmalene present Black with light- and dark-brown skin respectively. (This book was reviewed digitally.)

An eye-catching, toe-tapping celebration of the melodies in everyday sounds. (Picture book. 4-7)

Pub Date: Sept. 6, 2022

ISBN: 978-0-06-301112-0

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE LOVE LETTER

A sweet and far-from-cloying ode to love.

A mysterious love letter brightens the lives of three forest animals.

Appealing mixed-media illustrations made of ink, gouache, brush marker, and colored pencil combine with a timely message that one kind act can start a chain reaction of kindness. When Hedgehog, Bunny, and Squirrel stumble in turn upon a formally composed love letter, each finds their life improved: Squirrel is less anxious, Bunny spreads goodwill through helpfulness, and Hedgehog is unusually cheerful. As the friends converge to try to discover who sent the letter, the real author appears in a (rather) convenient turn: a mouse who wrote an ode to the moon. Though disappointed that the letter was never meant for them, the friends reflect that the letter still made the world a happier place, making it a “wonderful mix-up.” Since there’s a lot of plot to follow, the book will best serve more-observant readers who are able to piece the narrative cleanly, but those older readers may also better appreciate the special little touches, such as the letter’s enticing, old-fashioned typewriter-style look, vignettes that capture small moments, or the subdued color palette that lends an elegant air. Drawn with minimalist, scribbly lines, the creatures achieve an invigorating balance between charming and spontaneous, with smudged lines that hint at layers of fur and simple, dotted facial expressions.

A sweet and far-from-cloying ode to love. (Picture book. 4-8)

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-274157-8

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

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