Pianist/writer Asher (Blood Summer, 1977, etc.) reviews his career as a musician. Excerpts have appeared in Paris Review, Harper's, etc., and in the author's The Electric Cotillion (1970). Asher gives a smoke-filled memoir of his early days as a saloon pianist while simultaneously charting the ups and downs of jazz and swing during the past five decades. He began as a classical pianist in red-brick Worcester, Mass., but in his mid- teens was seduced by jazz virtuoso Jackie Byard into a lifelong existence in cafes, joints, buckets of blood, holes-in-the-wall, cathouses, and garbage dumps. His first jobs were while still in high school and included playing for completely nude hootch dancers—an afternoon stag show at the Good Ship Madam Zucchini. His first big gig was with the Hal Harganian band at the Foxes and Hounds, an antediluvian 500-seat barn of a show-club, which burned to the ground, suspiciously. Asher captures these old clubs marvelously: ``a whiff from the open door of a seedy south-of- Market barroom in San Francisco, peering through the slats of a darkened club in the bright afternoon, can summon full-blown, in all their squalor and glory, Dominic's Cafe, Blue Marlin, Tiny's Carousel, Good Ship Madam Zucchini, Foxes and Hounds....'' Asher regretted not being black while playing in Boston's Back Bay venue or during his first all-black after-hours jam session. He joined the hard-drinking Alvie Drake band out of Providence, later moved to the hungry i bar-lounge in San Francisco, where he watched Woody Allen bomb on the comedian's opening night but recover to ham it up with teenager Barbra Streisand, who kept the jam-packed house ``reverberating.'' Beguiling.
Pub Date: June 1, 1992
ISBN: 0-15-167281-4
Page Count: 320
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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