by Don Asher ‧ RELEASE DATE: June 1, 1992
Pianist/writer Asher (Blood Summer, 1977, etc.) reviews his career as a musician. Excerpts have appeared in Paris Review, Harper's, etc., and in the author's The Electric Cotillion (1970). Asher gives a smoke-filled memoir of his early days as a saloon pianist while simultaneously charting the ups and downs of jazz and swing during the past five decades. He began as a classical pianist in red-brick Worcester, Mass., but in his mid- teens was seduced by jazz virtuoso Jackie Byard into a lifelong existence in cafes, joints, buckets of blood, holes-in-the-wall, cathouses, and garbage dumps. His first jobs were while still in high school and included playing for completely nude hootch dancers—an afternoon stag show at the Good Ship Madam Zucchini. His first big gig was with the Hal Harganian band at the Foxes and Hounds, an antediluvian 500-seat barn of a show-club, which burned to the ground, suspiciously. Asher captures these old clubs marvelously: ``a whiff from the open door of a seedy south-of- Market barroom in San Francisco, peering through the slats of a darkened club in the bright afternoon, can summon full-blown, in all their squalor and glory, Dominic's Cafe, Blue Marlin, Tiny's Carousel, Good Ship Madam Zucchini, Foxes and Hounds....'' Asher regretted not being black while playing in Boston's Back Bay venue or during his first all-black after-hours jam session. He joined the hard-drinking Alvie Drake band out of Providence, later moved to the hungry i bar-lounge in San Francisco, where he watched Woody Allen bomb on the comedian's opening night but recover to ham it up with teenager Barbra Streisand, who kept the jam-packed house ``reverberating.'' Beguiling.
Pub Date: June 1, 1992
ISBN: 0-15-167281-4
Page Count: 320
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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