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BETTER THAN FICTION

TRUE TRAVEL TALES FROM GREAT FICTION WRITERS

Some interesting reading for armchair travelers.

An uneven collection of pieces that extend and expand the typical notion of travel writing.

The subtitle proclaims these “True Travel Tales from Great Fiction Writers,” though the contents raise some issues. All of the included writers have written some fiction, but many are known as well (or even more) for their journalism, including Jan Morris, who has earned her reputation primarily as a travel writer (yet here writes of an imaginary destination). Some of the authors write not as travelers, but as immigrants who have made adjustments to a different home or adults who have made a homecoming. Others write of places where no traveler would likely visit—e.g., the cellblock of San Quentin, explored by Joyce Carol Oates in the longest and most emotionally powerful piece. Yet, cumulatively, they reinforce the assertion of Bryce Courtenay (“Australia’s top-selling novelist”) that “[g]ood travel is returning home a slightly bigger part of everyone and not quite the same person as when you set out.” His essay, more of a trend piece than an illumination of a destination, is about how “personal adventure travel has come of age. For a great many of us, our travel mindset has largely changed from seeing to doing and from observing to participating.” The most affectingly literary of the inclusions is by Britain’s Stephen Kelman, on a reporting trip to India, where he realized that “the world is as weird and sad and beautiful as I would have it be, and that my place in it is as inevitable as the wind in the trees.” Other notable contributors include Isabel Allende, Kurt Andersen, Pico Iyer, Alexander McCall Smith and Frances Mayes.

Some interesting reading for armchair travelers.

Pub Date: Nov. 1, 2012

ISBN: 978-1-74220-594-6

Page Count: 320

Publisher: Lonely Planet

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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