Smart, sexy, darkly funny, and enlightening stories from a master of the form.
Nine stories feature complicated Asian American characters living insightfully depicted lives in the worlds of moviemaking, restaurants, and bedrooms.
The complicated, frustrating, sometimes self-defeating experience of Asianness defined by Cathy Park Hong in Minor Feelings receives kaleidoscopic treatment in Lee's sixth work of fiction, returning to the concerns of his landmark debut collection, Yellow (2001). Like the frustrated film director in the first story here, "Late in the Day," Lee has, in his interim novels, given us narratives that include Asian characters but are not mostly about ethnicity. Now he dives back in, deconstructing the exponential complications of Asian identity. In the spellbinding title story, the lead character confounds people. "Was she Chinese? Japanese? (She was Korean.) Subsequent was her nationality. Was she a North Korean or South Korean citizen, then? Or an immigrant? Did she have a green card? (She was a naturalized US citizen.) Then there was the question of her name, Ingrid Kissler. Was this an Americanization of her Korean name, something she had made up? Or had she once been married? (She’d been adopted by a white couple from Chanhassen, Minnesota, at the age of two, from an orphanage in Seoul.)" This character is in trouble—her tenure application is being blocked because her translation of a Korean novel has been revealed to be full of errors. Actually, she's not fluent in Korean. Her meeting with Yoo Sun-mi, the author of the novel, takes place in the wilds of Colima, Texas, a location evoked brilliantly here and in parts of the final sequences of three stories. This trilogy, called "Les hôtels d'Alain," follows the life of minor film star Alan Kwan in three incandescent episodes showcasing, from the title on out, the author's signature dramatic irony. The first is set in Alan's youth as a CIA agent's son living in a hotel in Tokyo; it revolves around a disastrous date at an Eric Clapton concert. The second features Alan's experience during the boiling-hot, seemingly endless shoot of a narco film in El Paso. Playing a hit man forced to speak his single line in the stereotypical "Oriental" accent, he essentially destroys his career. And finally, on to his trials in middle age as a bubble tea mogul in San Francisco.
Smart, sexy, darkly funny, and enlightening stories from a master of the form.Pub Date: May 10, 2022
ISBN: 978-1-63614-031-5
Page Count: 296
Publisher: Akashic
Review Posted Online: Oct. 25, 2022
PERSPECTIVES
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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