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LUCY AND BONBON

A surprising but ultimately unpersuasive novel about the human animal.

A Canadian woman gives birth to a human-ape hybrid in LePan’s novel.

Lucy Gerson was raised in the working-class community of Comber, Ontario. After an engagement ends in heartache, the 20-something woman decides to use money that she inherited from a wealthy uncle and visit her anthropologist sister, Susie, who lives far away in Congo. Lucy becomes fascinated by the bonzees that Susie is studying—a fictionalspecies of great ape that’s similar to a chimpanzee. Her fascination grows into something more when the wine-drunk woman has a sexual encounter, initiated by one of the apes in the jungle. Afterward, Lucy is pregnant, and after some difficult consideration about what to do, she eventually gives birth to a half-human, half-bonzee son named Bonbon. The new arrival is immediately a tabloid sensation; some people think he’s a miracle, others an abomination, and still others a rare opportunity for scientific study. What’s clear, however, is that many are undecided about whether Bonbon should be considered human. After being declared an animal by the Canadian courts, Bonbon is placed in the care of the Toronto Zoo, although Lucy lives nearby and attempts to raise him as best she can. While she battles with scientists—and herself—over the extent to which she has a right to her child, the maturing Bonbon must decide how he fits into the strange world around him.

LePan tells his story as a series of recorded statements given by the various characters—Lucy, Susie, Bonbon, and relevant researchers—who offer differing takes on the events of the novel. The work displays a great deal of control on the sentence level and adeptly presents a number of distinct voices along the way. Lucy is the main narrator, and the author provides her with a blue-collar vernacular that tends to occasionally drift into caricature. Here, for instance, she discusses her hometown of Comber: “that’s where we lived all the time we were growing up, ’cept for the year when I was five, that was when Dad ‘tried his luck’ in Montreal, but it turned out there wasn’t no luck there for him neither.” Despite the novel’s outlandish premise and broadly drawn protagonist, it isn’t really a comedy. Indeed, it attempts to work through the morality of the story with unexpected earnestness, and Bonbon’s lyrical idiolect is deployed for emotional impact: “My most long ago I member, it was to play on swing bars. And ropes, on the ropes. To swing to jump to laugh with Only, most little bonzee, and with Ever, bit bigger bonzee.” Even so, the novel doesn’t quite succeed as a Frankenstein-ish meditation on what makes someone human, either. The tone is slightly too odd, and the depiction of Lucy, in particular, borders too often on exploitative. These choices do seem to be intentional on the author’s part—at one point, Lucy even condemns readers for their condescending view of her—but they still leave an unpleasant aftertaste.

A surprising but ultimately unpersuasive novel about the human animal.

Pub Date: May 1, 2022

ISBN: 978-1-77183-718-7

Page Count: 100

Publisher: Miroland

Review Posted Online: March 1, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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