A sumptuous collection of visual jazz history.
A tribute to “one of the architects of jazz.”
This is the first-ever collection that showcases Schlitten’s incredible career as a legendary jazz producer, photographer of jazz artists, and album-cover designer. The book includes rare black-and-white and color photos of jazz greats, 25 album covers that he designed, a biographical essay by jazz journalist Ted Panken, and an introduction by the acclaimed record producer Zev Feldman—not to mention a Harvey Pekar American Splendor comic riff of Schlitten from 1991. For jazz lovers, this is bounty indeed. Panken goes into great detail chronicling Schlitten’s career, describing specific jazz sessions that Schlitten, born in 1932, attended and photographed, like his early shoot of Thelonious Monk and John Coltrane in 1957. As more of his production work was recognized, he took on all kinds of significant projects. He became involved in bringing back old recordings from the 1930s and ’40s for new audiences. In the 1970s, he started his own label, Xanadu, releasing 111 albums, paying royalties whenever he could. Schlitten’s second wife, Nina, urged him to form the label. “Start your own company; I’ll work with you,” she said. “So we started it with $10,000,” Schlitten recalls. “She did all the legal work, did all the secretarial work, and got up early in the morning to pack records, if we were lucky.” One of Schlitten’s final Xanadu productions was Billy Eckstine—I Want to Talk About You: Original 1940-1945 Recordings. Among the book’s many photos is a moody black-and-white image of Coltrane, Monk, and Shadow Wilson performing in 1957. And there’s one of Sonny Rollins and his sax at the Art Gallery. Also featured are Mahalia Jackson, Ella Fitzgerald, Miles Davis, Ron Carter, and Frank Sinatra. As Feldman writes, Schlitten “witnessed history being made on a nightly basis.”
A sumptuous collection of visual jazz history.Pub Date: April 7, 2026
ISBN: 9798875000645
Page Count: 128
Publisher: Fantagraphics Books
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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