by Donald A. Cabana ‧ RELEASE DATE: May 24, 1996
In this folksy narrative, Cabana, a prison official for 25 years, recounts his experiences and his change of heart about the death penalty. Cabana elaborates on his early fascination with corrections systems, which brought him from his native Massachusetts to the Parchman Penitentiary in Mississippi. When Cabana arrived at the untraditional Parchman in 1972, inmates planted acres of cotton and vegetables, and slaughtered their own cows and pigs; they were housed in small ``camps'' scattered acros the 20,000-acre facility. Cabana left Parchman a year later, returning as warden in 1984 to find Parchman considerably altered—it was ``just another prison,'' lacking crops but containing a new gas chamber. Cabana avoided entering the chamber for years, but he did visit the men on death row and notes that all of these inmates share the same deeply disadvantaged background. He is closest to Connie Ray Evans, a relatively mild soul who had killed a convenience-store clerk. Cabana describes with real affection—and a twinge of guilt—how their relationship developed, despite their differences. Evans, remorseful and philosophical, actually provides comfort to Cabana about the nature of their friendship. In 1987, faced with a rising tide of anti-crime fervor, the state of Mississippi randomly chose inmates to execute, and Evans was the second. In one horrifying scene, Cabana met with Evans's mother, who pled in vain for her son's life. A few days later, Cabana oversaw Evans's execution, and within the year he left prison corrections forever. Cabana argues ardently and rationally against the death penalty, not because of his sympathy for Evans, but because it's clear to Cabana that executing criminals does nothing to eliminate the roots of criminal behavior. A gentle and affecting addition to the Dead Man Walking canon. (illustrations, not seen)
Pub Date: May 24, 1996
ISBN: 1-55553-264-0
Page Count: 196
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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