Westlake kept a list of possible book titles, the last of which was Read Me. It would have been just the right one for this...

THE GETAWAY CAR

A DONALD WESTLAKE NONFICTION MISCELLANY

Assorted selections from a beloved crime writer.

Westlake (1933-2008), who wrote under his own name and a handful of pseudonyms, was an award-winning writer of crime, mystery and detective novels; short stories; screenplays; and one children’s book. University of Chicago Press promotions director Stahl thinks this collection of Westlake’s nonfiction will please his fans; it’s likely these sharp, disarmingly funny pieces will also create new ones. The editor includes a wide range of writing: interviews, letters, introductions to Westlake’s and others’ work, and even recipes. “May’s Famous Tuna Casserole” appeared in the cookbook A Taste of Murder. May is the “faithful companion” of Westlake’s famous protagonist John Dortmunder, “whose joys are few and travails many.” Another of his culinary joys, apparently, was sautéed sloth. One of the best essays is “Living With a Mystery Writer,” by Westlake’s wife, Abby Adams: “Living with one man is difficult enough; living with a group can be nerve-wracking. I have lived with the consortium which calls itself Donald Westlake for five years now, and I still can’t always be sure, when I get up in the morning, which of the mob I’ll have my coffee with.” Will it be the gloomy Tucker Coe, the professional hack Timothy Culver, the morose, exacting Richard Stark, the author of Westlake’s 24 Parker novels, or Westlake himself: modest, unpretentious and fun-loving. In “The Hard-Boiled Dicks,” Westlake considers the evolution and popularity of the detective story, the most appropriate term, he said, for the genre that included mysteries, suspense, crime and police procedurals. Crime, he thought, was essential to a storyteller: With society, the individual and a crime, “you have all the multiple possibilities of drama, plus all the multiple possibilities of free will; that is, life.”

Westlake kept a list of possible book titles, the last of which was Read Me. It would have been just the right one for this bright, witty book.

Pub Date: Sept. 24, 2014

ISBN: 978-0226121819

Page Count: 256

Publisher: Univ. of Chicago

Review Posted Online: July 6, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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