Wild, weird, and wonderful. Harington should send a copy to Al Gore—then disconnect his phone.
If Robert Penn Warren had ever been turned on to hallucinogens, he might have produced something like this fantasy of a mad southern autodidact who runs for governor of Arkansas and finds just enough lunatics to bring him to the threshold of victory.
Real-life characters (the author among them) are mixed into this stew of fiction and fact, which simmers at a nice slow pace in Harington’s roundabout narration. We start from the little Ozark hamlet of Stay More (When Angels Rest, 1998, etc.), home to the polymath pig-farmer Vernon Inglenook. Made rich at an early age by the razorback hogs his family for generations has turned into the succulent Inglenook Hams, Vernon has been able to devote the better part of his life (i.e., the afternoon and evening parts, once the hogs had been slopped) to a systematic program of self-education. Moving from A to Z, he had already mastered art, chess, finance, medicine, and oceanography by the time he reached politics. Not content with skimming Locke and Hobbes, he decided to test their theories by running for governor against the odious incumbent, Shoat Bradfield. Although he has no political experience and quite a few political liabilities (not the least being a common-law marriage to his first cousin Jelena Inglenook), Vernon puts together a first-rate campaign team (known to the press corps as “The Seven Samurai”) that manages by hook and crook to bulldoze him through the primaries and to the Democratic nomination. Vowing to “extirpate” handguns, tobacco, prisons, schools, and hospitals from the state if elected, Vernon presents one of the strangest campaign platforms ever seen. Are there enough madmen—even in Arkansas—to get him into office? Let’s just say that it all comes down to absentee ballots in the end.
Wild, weird, and wonderful. Harington should send a copy to Al Gore—then disconnect his phone.Pub Date: April 1, 2002
ISBN: 0-8050-6855-4
Page Count: 402
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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