After so much loopy plotting and Heartland folks, the slam-bang militia madness comes on a bit too furious. Harstad’s...
Plenty of laughs, skewed violence, and marvelous takes on how weird Iowa winters can be—in the third, and best, procedural featuring easygoing Nation County Deputy Sheriff Carl Houseman (Known Dead, 1999, etc.), from a former Iowa deputy sheriff who knows the territory inside out.
While he’s digging stuttering small-town crook Fred “Goober” Grothler out of the snow, Houseman hears Goober confess to having driven the getaway car for his no-good cousins. Seems Dirk and Royce Colson have been robbing farmhouses while their owners are away playing pinochle in sunny Florida. But the boys have been missing for two days since they broke into Cletus Borglan’s place. Poking around the snowbound farmhouse, Houseman finds evidence of a break-in and the frozen bodies of the Colson cousins out in the shed, both sporting bullet holes in their heads. When an incompetent investigator tries to pin the crime on Fred, Houseman does more checking and ends up busting two mysterious FBI agents. The cranky, blustering Borglan rushes home from Florida but loses his lunch when Houseman drags him in for questioning. After a lunatic sniper shoots up the front of the sheriff’s office, Borglan confesses that he’s been consorting with Jacob Henry Nieuhauser, a.k.a Gabriel, a crazed ex-Army colonel militia type who had been living secretly in Borghlan’s house and who killed the Colsons. Gabriel needs money to buy some nasty new weapons, and he plans to steal it by hijacking a riverboat casino where state cop Hester Gorse, Houseman’s investigative partner in the previous books, just happens to be on shift.
After so much loopy plotting and Heartland folks, the slam-bang militia madness comes on a bit too furious. Harstad’s strength is in the wry and dry details of a cop’s life, and in his unbending compassion for deceptively plain people who cast long shadows in the subzero snow.Pub Date: Sept. 1, 2000
ISBN: 0-385-49569-2
Page Count: 368
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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