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KNOWN DEAD

Now that the loonies of Carl Houseman’s colorful debut, Eleven Days (1998), have been locked up or buried, the portly Nation County, Iowa, deputy sheriff can turn his attention to what looks like a routine surveillance. How routine? Well, less than two hours after he drives out to a field of 106 prized sinsemilla marijuana plants to help a fellow deputy and a state narc wait to see who comes out to tend to the finicky plants, a fusillade of gunshots bursts out, and when the dust clears and the police are free to begin retrieving the 67 shell casings on the scene, one of the lawmen is dead, along with harmless doper Howie Phelps, who’d presumably been taking care of the patch for some Mr. Big. Smart forensics work reveals that Howie wasn’t shot by the cops, but by somebody else—presumably Mr. Big or one of his henchmen. Wondering if Mr. Big might be riverboat casino dealer Johnny Marks, Carl and state cop Hester Gorse, both assigned kept-in-the-dark jobs by the brass-heavy task force on the case, lean on Marks just a bit. But there’s no response, and Carl is just getting back to his usual round of domestic disturbance and endangered-child calls, with a corresponding sense of aimlessness for both Carl and his readers, when a standoff at libertarian Herman Stritch’s heavily armed farm inflicts new wounds on Carl’s weary troops—and suggests that those sinsemilla growers had a lot more irons in the fire than just getting high and unleashing the occasional automatic fire at the law. Hardcore procedural fans will find Carl’s second case authentically dry and realistic; none of the characters seems to have a home life or any interests that would distract them from the job of policing Nation County and fighting jurisdictional skirmishes. Others may complain that the slow-starting suspense proves that there really isn’t much to do in Iowa, even when you’re battling the forces of evil.

Pub Date: July 20, 1999

ISBN: 0-385-48895-5

Page Count: 336

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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