An engrossing but tongue-in-cheek drama that, even at its most dramatic, will leave readers smiling.
A Spokane college graduate searches for wealth and fame in LA but finds only a string of dead-end jobs and outlandish individuals in Jans’ witty debut drama.
In 1987, Jack Fitzpatrick’s plans to be rich and famous are off to a good start. Beverly Hills talent agent Alain Michaels tells Jack that he can find him work as a model in California. But when the modeling gig doesn’t pan out, Jack’s more determined than ever to make it on his own instead of returning to Spokane. He stays with a friend and runs through a few temp jobs, finally finding success as a bond broker. Jack makes good money at bond firm Freedom Capital Markets, but he soon realizes that he wants to share it with someone. There are more pressing issues for Jack, however, once he finds himself behind bars. The author’s Bukowski-esque tale has an ordinary protagonist immersed in extraordinary circumstances. Jack’s escape from his Spokane roots, for instance, is sublimely epitomized by Mrs. Pohlkiss, an affluent neighbor who looks down on him and who’s immediately on his mind at the slightest sign of failure. Likewise, Jack, while certainly not naïve, is faced with obstacles he’s never considered—complacency or boredom with a job and a revolving door of co-workers, some of them friends who leave too soon and a shady few who are considerably less friendly. Jack’s nonchalant narration manages to take the bite out of the story’s darker bits, like the protagonist’s eventual arrest and incarceration, as well as the toilet humor. Other characters, too, have their comic moments: Noah’s wife, a millionaire by inheritance, still demands that her husband get a job. Jans wisely saves details about Jack’s dog until later in the story. The revelation comes about the time readers’ sympathy for the protagonist may be waning since he starts dating an Asian woman simply because he’s tired of having sex with white women. Jack’s goal continually changes throughout the novel—he wants fame, success, and maybe even a wife—but what he truly craves is finally answered in a satisfying coda that’s both over-the-top and a little endearing.
An engrossing but tongue-in-cheek drama that, even at its most dramatic, will leave readers smiling.Pub Date: April 2, 2015
ISBN: 978-0-578-15215-8
Page Count: 203
Publisher: Sheabeau Publishing
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: April 1, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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