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COOPERATIVE WISDOM

BRINGING PEOPLE TOGETHER WHEN THINGS FALL APART

A scholarly self-help book with sage guidance and real-life examples of “cooperative wisdom” in action.

Scherer (co-author: Two Paths Toward Peace, 1991, etc.) and Jabs (The Heirloom Gardener, 1984, etc.) offer an erudite yet accessible guide to managing destabilized environments at home or out in the world.

The authors note that keeping family and friends safe from harm was easier to manage in ancient times, when most lived in clans of about 120 people. Even today, they say, social scientists set 120 as the maximum number of friends in a group that can provide mutual support to one another. By comparison, our contemporary social networks are vast, and, according to this book, the risk of doing unintentional harm to others is immense, whether one is running a parent-teacher association or a multinational corporation. To navigate our complicated world, Scherer, a professor emeritus in the philosophy department of Bowling Green State University, offers the principle of “cooperative wisdom,” a skill which may be learned, he says, by practicing five virtues: “proactive compassion,” which “attunes us to [others’] vulnerability”; “deep discernment,” which, in part, “deepens our grasp on what matters”; “intentional imagination,” which “reconceives what is possible”; “inclusive integrity,” which aims to “ensure that benefits and respect are mutual”; and “creative courage,” which allows people to “willingly incur the risks” of change. He and his co-author and former student Jabs guide readers through these and their accompanying practices. The book grew out of lecture notes that Scherer prepared for a graduate-level seminar, and this genesis occasionally peeks through in statements such as “Specialists become comfortable with and even attached to particular ways of doing things, and they may be reluctant to modify, much less abandon, specialized knowledge.” The otherwise conversational style, reminiscent of that of Bill Moyers and Joseph Campbell in the 1988 PBS series and subsequent book The Power of Myth, adds friendliness to a serious topic. Jabs’ interjections are in hard-to-read italics, but for the most part, Scherer’s words are empathetic, compelling, and frequently pithy, as when he refers to the practices for each virtue as “exercises…that expand our moral range of motion.”

A scholarly self-help book with sage guidance and real-life examples of “cooperative wisdom” in action.

Pub Date: May 15, 2016

ISBN: 978-0-9971668-1-1

Page Count: 236

Publisher: Green Wave Books

Review Posted Online: Feb. 13, 2018

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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