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VILLAINS’ PARADISE

A HISTORY OF BRITAIN’S UNDERWORLD

Comprehensive to a fault.

Murderers, swindlers, prostitutes, burglars, gangs, thugs, conmen and cops collide in England.

The subtitle is misleading: Thomas focuses on the 25 years following World War II. Like his earlier true-crime works (The Victorian Underworld, 1998, etc.), this one evidences the author’s prodigious research of newspaper and criminal-court archives. Thomas also mixes in numerous allusions to the era’s crime novels and films, endeavoring to demonstrate how popular culture influenced, perhaps even inspired, the miscreants. He manifests some nostalgia for the death penalty, abolished in England in 1964, and several times implies that certain crimes (e.g., cop-killing) cry out for it. Encyclopedic in scope and style, the text begins with a few chapters on the austerity of daily life at the end of the war before moving on to the main narrative, a recitation of various sordid and celebrated cases. Some of England’s more notable nasties stalk these pages: sadistic murderer Neville Heath, blood-drinking killer John Haigh; John Christie, who stored his victims under the floorboards; postal robber Billy Hill; and 1950s street punks the Teddy Boys. The author examines as well some of the era’s biggest heists, involving banks, trains, postal vehicles and armored cars. He worries about the scourge of drugs and drug lords. He chronicles the brutal careers of twin brothers Ronnie and Reggie Kray, whose huge funeral processions rivaled those of royalty. Some well-known non-criminal names also appear in these pages. Did John Fowles borrow material from an actual 1957 case for his 1963 novel The Collector? Did the cops really find cannabis in Mick Jagger’s house in 1969, or did they plant it? The Jagger question appears in one of the later chapters, which take a quick look at cases involving police corruption—and heroism.

Comprehensive to a fault.

Pub Date: March 12, 2007

ISBN: 1-933648-17-1

Page Count: 528

Publisher: Pegasus

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2007

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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